Majority Flemish Production

Hit Him on the Head with a Hard, Heavy Hammer departs from the handwritten memoir of the filmmaker’s father and his experience of displacement during wartime. Referring to the notion Thomas Hardy termed ‘The Self-Unseeing’ in his eponymous 1901 poem, the film returns to childhood and the matters that harden us: upbringing, social status, education, labour, and familial bonds. The memoir weaves into the film as both a contemplation on mortality and an illustration of fading memory, reflecting on how we pen our pasts and how they can be re-told.

Hello, Are We in the Show? is a poetic animation film that uses the formal language of a nature documentary. The film offers us a glimpse of daily life in the Sonian Forest near Brussels, and shows us the fauna and flora without disguising the influence of city and people.

A young soldier's fear during an artillery attack becomes an unbearable wait followed by a swift, horrific end.