After her father's funeral, Maarit plans to return to Thailand. On the day of the departure, she finds her mother Sylvi and her father’s taxidermy badger in a bar and Sylvi makes a revelation that may change Maarit’s departure plans.
Pirjo, still stuck in her past, gets kidnapped by her pet crab Sebastian who turns out to be an alien. Sebastian wants to save her since the world is about to end at 10 p.m. today. However, Pirjo refuses to leave the planet without a memento of her beloved Ester and Sebastian won’t leave without Pirjo. The clock is ticking.
As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.
A young man tries to drown out feelings brought on by his painful breakup but can't even seem to get rid of his ex-girlfriend's hair.
