Demonstrating the dos and don’ts of social interaction in traffic, this film tells the story of a sociopathic driver who takes equal pleasure in helping distressed fellow drivers and in intentionally causing road accidents.
After one of the pupils lost his pencil in the classroom, the other children accuse Dika that he stole it. Dika decides to fight for the truth, and luckily his teacher is the only one who believes him.
The adaptation of Hans Cristian Andersen's tale filmed on a white background. It is also the first Croatian movie in color.
Holiday adventures of schoolboys spending their time on an airport taking flying lessons with sport planes.
A satire on the false happiness provided by consumer goods and bourgeois rituals done in an eye-poppingly gorgeous, extremely artificial style that ingeniously mixes colour with black and white, and combines live action with animation and even bits of puppetry!
While visiting his relatives in the city, a curious village boy sits on a motorcycle which starts right off, which causes lots of trouble to him and his parents.
The local postal service makes a mistake delivering a small figurative sculpture to a miller and a miller stone to a museum. The museum curator, not aware of the mistake, starts celebrating this abstract shape, influencing even the local artists to imitate that kind of shapes when portraying people.
Film about a hat which changes its owners, until it ends up in the possession of a beggar who collects charity with it.
A small, neglected boy protests against his busy parents by rambling across the city alone.
Kids from the same block hold a court trial to local cat who ate their canary.
The effect of alcohol on driving behaviour illustrated through an intense road sequence and its tear-jerking aftermath.
Inspired by the teen rebel genre popular at the time, the film portrays a boy peer pressured into taking a wild ride in a stolen car that leads to tragic consequences.
The first color cartoon made in Yugoslavia and the first award-winning cartoon of Yugoslav cinema, with a diploma at the Berlin Film Festival. Writing a review of the Little Red Riding Hood in the Narodni list (April 9, 1955), Nenad Turkalj humorously remarks: “From the material on which Disney would base the entire (episodically stretched) feature film, our artists have made a witty foreplay, which is suitable for both its purposes: as a suggestive storyline for children’s imagination, and as a funny coloured spectacle for adult viewers who will laugh at many jokes.
Documentary about one of the world’s smallest mammals.
