Helsinki Mansplaining Massacre 2018
One woman’s desperate struggle to survive a horde of men with frail egos, who just want to explain everything to her. But the biggest horror may be closer to her than she thinks.
One woman’s desperate struggle to survive a horde of men with frail egos, who just want to explain everything to her. But the biggest horror may be closer to her than she thinks.
Fred Daly returns to Ireland with nowhere to live but his car. Then dope-smoking 21-year-old Cathal parks beside him, and brightens up his lonely world. Encouraged by Cathal, Fred meets attractive music teacher Jules. Growing closer, these three outsiders are set on a course that will change their lives forever.
In this somber, psychological drama about the conflict between a man's innermost feelings and a society that puts these feelings in a strait jacket, the mood is ruminative and depressing throughout. Alone, Viktor (Sven Wolter) heads off for his usual summer vacation to some islands where he can ostensibly look for antiques for his wife's shop in Stockholm. His marriage is a failure or worse -- he raped his wife before he left home, and he is obsessed by erotic imaginings. Once on the islands, he makes friends with a little girl whose mother is mentally disturbed and is kept by her husband in a locked room. The islanders are as tight-lipped as Viktor, and any communication is stiff and artificial. Viktor's own alienation begins to slip as he takes surprising, violent action to turn around the imprisoned mother's life -- but it does not work, nothing seems to work -- and his last actions indicate that he may not be willing to simply give up.
A foreign woman in a burqa brings her young son to a Copenhagen police station to file a complaint against her abusive husband, but the translator assigned to her seems unwilling to convey the true meaning of her words. A tense, diamond-hard film about cultural isolation and bureaucratic ignorance.
In a remote East European town, the evening bells can’t hide the cry of a hungry baby. His father, a street-musician named Baro, is also having a bad day. The social worker is blaming him on being a miserable parent, but Baro refuses to obey the advice of the worker: he definitely won’t put his little one into the BabyBox.
A film about Princesse, a 9-year-old Cameroonian, and her father, who leaves Africa to make their dreams come true. The two keep in touch through numerous phone calls. Princesse goes to school while her father is trying to make it in Paris cleaning streets and selling souvenirs that enable him to send nice clothes to his daughter – and a smartphone that she’s been begging for.
Make is 11 but wants to be a teen or better yet, an adult - anything but a child. Instead he's forced to look after his little brother Konsta.
The final film in The Trilogy of the Sacred and the Satanic, Atman is a spectacular epic across India, all documented on stunning 35mm. When his mother dies, a devout Hindu man named Jamana Lal begins a 3,000-mile journey in her honor. The destination is the holy city of Haridwar, but to get there, Lal, a 35-year-old whose legs have been paralyzed since childhood, must travel up the Ganges River. He is joined by his brother and his wife as well as by director Pirjo Honkasalo and her small, intrepid crew. Midway through, a miracle occurs, as Lal crosses paths with a kindhearted woman named Shanta. Atman blossoms into a love story for the ages.
The Song of the Gallows is based on a medieval, seventeenth-century story about a magic violin that saves the life of a Roma man from the gallows. The Polish princess Katarina Jagellonica arrives in Finland in order to get married to Duke Juhana; after listening to the Romani musician playing his instrument she agrees to his request that all the gallows should be torn down in the country to save the Roma from execution.