Məşhur Kimdən Uzbekistan

Two barbarians in the desert find a stranded white woman and regard her as their property. A strange and exotic parable that presents a tragic three-cornered relationship in a politically incorrect and ironic way.

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

Mukhabbat, an Uzbek immigrant, works at a convenience store on the outskirts of Moscow. Just like the rest of the immigrants at the store, she is forced to work without getting paid and endure mental and physical abuse, until she overcomes her fear one day and takes her fate into her own hands.

The film tells the story of an elderly couple living a peaceful life in a village, with their eldest son living nearby and their youngest son working abroad. It depicts the struggle and conflict between two generations.

A young doctor serving cotton growers goes to the city. On the highway, when trying to overtake a motorcade, the traffic police stops the car. The events that take place next are an accurate and witty model of a life permeated through and through with absurd relationships, ridiculous demands and inexplicable prohibitions...

A wealthy man hires two bodyguards, one a former paratrooper (Qodirov) and the other just released from prison (Soipov), to protect his two daughters, Gulnoza (Ashurboeva) and Dilnoza (Eshonqulova). Whilst at first the girls are reluctant to accept their fate, they soon realise how lucky they are to have the two young men in their lives…

A documentary film about the three remaining generations of fishermen in the Aral Sea-- Their everyday struggle to survive in one of the most dire and inhospitable places on the planet.

The Mischievous Boy — "Shum bola", a film on the eponymous story of Gafur Gulyam about the adventures of a little boy, whose restless character makes him different people and life situations.

The events in Mahallada duv-duv gap occur in a mahalla — a traditional Uzbek neighborhood — in an old part of Tashkent at a time when big-scale construction works are taking place. The movie humorously depicts the relationships between traditional parents and their modern children.

An agent of the Uzbek special services, Timur Saliev, is conducting an operation to seize the Scorpion terrorist group when he learns that his brother, whom he considered dead, is alive and belongs to this very organization.

Since Fatima and Zuhra's brother did not come home one day, Fatima is worried and goes outside to look for him. Then, the street thugs kidnap and rape Fatima. Fatima commits suicide.

Based on an old Bukharan mythical tale from the 16th century.

Jasur falls in love with Will first, he is engaged to her. Then he falls in love with a designer, an older woman with 2 children.

The main events of this film correspond to the autumn and winter months of 1952-1953. The heroes of the film are two fighters who serve at the highest levels of the State Security Ministry and become friends. "Churgoschin" was the nickname of one of them. This film talks about the situation in Uzbekistan on the eve of I.V. Stalin's death. One of the two warriors prefers death because he doesn't want harm to his brother.

The 'super kelinchak' has found her place as a wife and mother yet is as feisty as the mother-in-law who taught her how to become the perfect daughter-in- law...

According to a central Asian tradition, the younger brother is responsible for the wife of his brother in his absence. So 13-year-old Jamshed is too. Lack of work made his brother leave for the West to earn money. Jamshed does what he should do, even though he dreams of things that boys of his age much prefer to do. He regards his sister-in-law and his duty to her as a burden.

Gaziboy wins the car in the lottery. He takes a lot of money from his father and goes to town.

Iskander, a gentle Uzbek man, is convinced by a Russian friend to give an impromptu speech praising the Communist Revolution. Impressed by his eloquence, the Soviets make Iskander a spokesman - a precarious position in a turbulent time.

A Romeo & Juliet-esque tale set in Uzbekistan.

The sea vanished without any trace. Where the waves had once splashed, the bottom is cracked from the heat. Here, at the same depth, people stayed to live. An old fisherman, who is trying to escape from the past. The border guard, who changed his boat to jeep for patrol the state border. Former official, who because of other people's machinations, has lost everything - The sea is gone, but hope remains that it will return. And with it returns hope to find love for the neighbor .

In the cities of Central Asia and Russia, the indomitable Fatima barrages , committing one crime after another . The Prosecutor's office investigator Pyotr Yerozhin gets in her way , not yet knowing how this investigation will be closely intertwined with his own fate.