The Man Who Saved the World 2014
The Man Who Saved the World is a feature documentary film about Stanislav Petrov, a former lieutenant colonel of the Soviet Air Defence Forces.
The Man Who Saved the World is a feature documentary film about Stanislav Petrov, a former lieutenant colonel of the Soviet Air Defence Forces.
Ilze Burkovska, a little girl who is obsessed with stories of World War II and will be a filmmaker in a distant future, lives in Latvia under the totalitarian boot of the Soviets and the ominous shadow of the many menaces and horrors of the Cold War.
When 15-year-old rebellious Stefi goes missing, her mother Helena has nothing left to lose anymore – why cling to sanity when madness offers a chance for reconciliation and love?
Through following the twists and turns of three generations of women in the Russian-speaking Latvian film director’s family, the film attempts to look at the reality of the half-million community of Russians in the Baltic countries in 2020. Through the story of a grandmother – a veteran of the Second World War who came to Latvia in 1955 in search of a better life, a mother – a lecturer in a closing down Transport and Telecommunication Institute , and an eighteen-year-old daughter – an artist, a student of the prestigious Latvian Art School. The film tries to understand whether this family managed to find its place in the new society after 30 years of Latvian Independence.
This film is a story about that time in the Baltics, Latvia, and Riga. Young rebels of 1960s – nonconformists, hippies and beatniks – have turned into a generation of well-known writers, poets, musicians, directors, as well as politicians of the new independent Latvia. The ones who were 18, 20, or 25 in 1960s are half a century older today. The protagonists of the film are united by the bohemian gathering place of their youth, a small nameless cafe in the Old Town of Riga, commonly referred to as “Kaza” (The Goat). This place is surrounded by legends, myths and humorous stories.
Pavlensky/Pawlenski, artist and activist, is leading the way in forging social change in Russia. Through an multiple courageous performances, he acts as society's conscience in the face of an increasingly totalitarian state. From lying naked in a coil of barbed wire, to nailing his scrotum to the floor of Red Square, his acts of defiance aim to spark debate and catalyse reform. This documentary follows his mission to challenge the state.
After the lives of several people are tied into a intriguing knot upon meeting police officer Krasts one hot summer day, they’re all brought together again on a full moon winter night. Intrigue develops among a couple of lovers, Gints and Elga, three adventure-race participants with one woman, Renate, on their team, three generations of a family whose father, Karlis, died in a tragic hunting accident, Karlis’s daughter Aija, his former lover Livija, and a young girl hardened by life, who lives at a Christian home for expectant mothers. A detective twist is added by a bit of poison, which one of them will get.
Vitaly Mansky’s intimate and insightful new documentary finds him crisscrossing Ukraine in the wake of the Maidan uprising, which has left his relatives scattered on both sides of a highly charged and dizzyingly complex political situation.
The film begins with closing of the oldest prison in Latvia – the Brasa Prison was built in 1905 and cannot ensure normal functioning. Inmates are leaving the place that has long been their only home. Our protagonists reside in Ward 207. They have really inhabited it – there is even a fish tank in the ward! They are not from a different planet. Humanity of the inmates may contrast with their records of committed crimes. All have their small pleasures and big plans. All are longing for changes and being afraid of them. Likewise, the term of imprisonment is running out for several of our protagonists. They are getting ready for life at large. They know how to survive in extreme circumstances but are unprepared for living a normal life. One’s return to the big world is one of the most accentuated marginal situations.
An insecure millennial woman pursues her dream whilst learning how to adult. While being preoccupied with life tasks at hand she can barely handle and also severe depression, main character of this film Marta (30) keeps dreaming about making films, drawn to the healing power of storytelling, but not having the courage to act these dreams out; sometimes she is too scared to even pick up the phone. Marta’s life seems to sway both in comic and tragic directions: it’s sometimes a mix of ultimate freedom, sex, drugs, friendship, laughter, alcohol, lots of alcohol, music, honesty and love, and sometimes the reality Marta avoids to face becomes so brutal she can’t take it anymore. Through the course of the film Marta learns there is an unavoidable question that at some point becomes inevitable for almost every filmmaker: if you really want to direct films, can you first direct yourself out of depression?
Mikhail Tal. From a Far is a documentary exploring the unpredictable and tragic life of the genius world chess champion Mikhail Tal, Riga's native son. Mikhail Tal becomes the youngest world chess champion at 23. The same year, he was diagnosed with incurable kidney disease and given only one year to live. Through sheer will and reckless abandon he managed to live another 40 years, filling them with a string of remarkable chess successes, unexplainable failures, amorous conquests and a life-threatening game of cat and mouse with the KGB.
The protagonist of the film, Viktors, after losing his eyesight not only gets over depression and sense of estrangement but goes on living a full-fledged life – he forms a relationship, finds strength and motivation for mental development. Aware of his difference from the ones who can see, Viktors does not feel unworthy and loses no hope. Instead, he perceives the inconveniences, caused by the elusive or illogical attitude of the society and lawmakers, with humor, as if they were curiosities.
Elsa falls in love with a quadriplegic genius, her patient Nicola, whose mansion hides a secret – Nicola is obsessed with the creation of an artificial intellect. His creation, named Anna, stops at nothing to keep her master just for herself.
1940. On the border between Latvia and the USSR, a woman is killed in front of her house as she tried to protect her son from the liberating attack of the Soviets. Almost 80 years later, the archive photo bearing witness to this news item and representing a collateral victim of the European Union’s founding conflict forms the starting point for a journey undertaken by Davis Sīmanis. He navigates from one side to the other of this border, which today represents another separation, one that is geographical but also cultural: between Europe and Russia.
A Latvian tragicomedy about a young artist who bears witness to the dramatic political upheavals of the WWII era. As brutal regimes come and go, his country, his village, his people, and even his heart are swept up in the inexorable currents of history.
Ieva has been an obedient granddaughter for years – choosing a safe career in a bank as her grandmother wanted. Her mother left the family years ago when she had to look for work abroad. That has made ties between Ieva and her grandmother especially tight. Dissatisfaction with the constant adaption to the material world is flickering under the surface and Ieva lives her dreamlife with her friends. She plays the keyboard in a girl band and stays out late. When Ieva decides to have a provocative tattoo on her arm made, her grandmother goes completely nuts.
Leningrad, 1970. A group of young Jewish dissidents plot to hijack an empty plane and escape the USSR. Caught by the KGB a few steps from boarding, they were sentenced to years in the gulag and two were sentenced to death; they never got on a plane. 45 years later, filmmaker Anat Zalmanson-Kuznetsov reveals the compelling story of her parents, leaders of the group, "heroes" in the West but "terrorists" in Russia, even today.
A young married housewife's dull routine is enlivened as she spies on the sexual escapades of her fencing instructor neighbour. She too is seduced by him, but the fear of losing her family results in hysteria and an unpredictable climax.
Lame-o’s is set just before the Millennium, in 1999, and is the story of three school friends who are among the most unpopular girls in their class. The friends are determined to radically change the situation. The three friends at the centre of the story are Sarmīte, Sveta and Katrīna, who are studying in the last class of the secondary school. The upcoming Millennium and their approaching graduation make them undertake various measures to become appreciated and liked, which eventually challenge their friendship.