Bored and restless, Alice spends much of her time lusting after Jim, a local sawmill worker. When not lusting after him, Alice fills the hours with such pursuits as writing her name on a mirror with vaginal secretions and wandering the fields with her underwear around her ankles. And, in true teenaged tradition, she spends a lot of time writing in her diary.
Frustrated by the lack of intimacy in her relationship, a young schoolteacher goes through a series of intimidating and often violent sexual partners.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
In the midst of the Balkan wars, a squad of Navy SEALs attempts to unravel a long-forgotten mystery after discovering an enormous treasure trove hidden at the bottom of a lake in Serbia.
A woman employs a gay man to spend four nights at her house to watch her when she's "unwatchable".
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
A young princess is the subject of a tug-of-war among witches, as each struggles to find the suitable antidote to a death sentence inculcated by an evil sister.
Secrets, rumors and betrayals surround the upcoming marriage between a young dissolute man and virtuous woman of the French aristocracy.
In Dunkirk, a man and a woman meet and fall in love, then hate each other.
A director struggles with a difficult sex scene between a young actor and actress who can't stand one another. Aided by her loyal assistant, she is hell-bent on getting the scene right without compromise.
A stroke-afflicted filmmaker is manipulated by a notorious con man.
Georges Deblache, a despondent middle-aged cop, falls for his partner's wife.
Anne (Daphné Baiwir) reads her younger sister, Marie-Catherine (Lola Créton), the story of Bluebeard. In 17th-century France, another set of sisters — also named Anne and Marie-Catherine — are left impoverished by their father's death. Marie-Catherine dreams of marrying into money, and soon falls for wealthy divorcé Bluebeard (Dominique Thomas). Grateful for the chance at a life of comfort, Marie-Catherine marries Bluebeard — in spite of rumors that he has made a hobby of murdering his wives.
Hoodwink is based on the true story of an Australian con artist who briefly won the hearts of the media (if not the authorities). John Hargreaves stars as a criminal serving time in a New South Wales prison. He's not partial to the physical labor required of the convicts, so he hits upon a labor-saving plan. Hargreaves pretends to be totally blind, thus lightening his work load....and carries off the hoax for years.
Cathy Baikas is a woman of Greek heritage who lives in Sydney, Australia with her three-year-old daughter. When her daughter's father kidnaps the child and takes her back to Greece, Cathy discovers the authorities can do little to help her. She turns to the media. The editor of a major daily newspaper proves sympathetic to Cathy's problem and begins giving her case press coverage. The film is based on a true story.
GRAMMYS® Greatest Stories: A 60th Anniversary Special is a retrospective packed with epic moments from the past 59 years of GRAMMY history, featuring rare archival footage, exclusive interviews, and special appearances by a number of GRAMMY-winning artists.
While Nazi ideology dominated Europe, Adolf Hitler used all dogmas to divert them to his advantage and feed the cult of his personality. How did the Führer manage to transform the Bible, the Church and Christ himself into instruments of power, winning the support of the Germans? This documentary traces the rise of a little-known theological organization: the “German Christians”, which became the most powerful propaganda tool of the Third Reich.
