A Southern soldier in the American Civil War is sent to reconnoiter the enemy positions and becomes trapped beneath a huge pile of rubble by Northern cannon fire. His loaded gun is left pointing precariously at him and he is faced with imminent death.
Song tells the story of the women who worked in Victorian London's clothing sweatshops, eschewing a conventional narrative in favour of a series of still photographs and acted reconstructions to show that this story has been rewritten/written-over many times before.
A girl takes her camera along to a rocky beach, but quickly becomes fascinated with a far stranger mechanical contraption that she finds there.
A rich and challenging account of the experiences of a German Jewish musician who settled in Britain to escape Nazi persecution. Two of his friends are being sued by a former SS Kommandant, who denies their accusation that he was responsible for the genocide of 300 Belgians. Documentary interviews and archive footage merge with dramatised scenes to create a new way of representing history and memory.
In a hugely entertaining parody of her media persona, a pre-'Female Eunuch' Germaine Greer stars as a terrifyingly amorous woman who alternately cajoles, pursues and assaults a mild little man with cries of "Darling, do you love me?" until he succumbs to her strangling hands.
A wasp exterminator travels to a large stately home to deal with a wasp infestation problem. However when he arrives he is greeted by a dysfunctional, hate filled family that attacks each other with spite and hurtful remarks. He reassesses his feelings towards the wasps that only sting in self defence.
An elegant film about one man's fears and fantasies regarding HIV testing.
An elderly man takes a hypnotic journey through his memories in the moments before his death.
A young man (Aidan Gillan) arrives in the midst of London's Soho. He's from Belfast, he's anxious and he looks like he's running away from something. Then, by chance, he meets Grace, a prostitute who happens to come from Belfast too. A connection is made and, for a brief time, she seems to offer the chance of a new future.
Traces the role of women in British television, from 1946 to 1997.
The idyllic, rural past of a Suffolk village comes to life through the memories of an old man who tends a country graveyard.
A poetic young man crosses paths with a young runaway woman, and together they embark on an all-night journey through London’s sleepy metropolis.
Unemployed Anthony announces he is joining the police, much to the horror of his girlfriend and friends.
This chilling and provocative faux home movie presents the story of three dissidents and their plan to commit a revolutionary act on film. Bicât and scriptwriter Howard Brenton explore the consequences and co-option of political violence with hard, grubby directness and a pre-punk, semi-nihilistic attack on bourgeois values.
A marital breakdown is brought to life through a mixture of dramatisation, monologue, montage and animation. Through the perspectives of the husband, the lawyer, the couple’s parents and their “home help”, a picture emerges of the transactional nature and economic fall-out of marriage, along with issues of class and gender politics affecting single mothers.
In and around the tenement blocks and rubbish tips of the Glasgow slums, this short film depicts a young boy’s perspective of his family, his friends and the local ‘bad man’.
Poplar's long tradition of political and social activism is on show in this community film. The East London district has been home to both grassroots and high-profile radicals, from social reformer George Lansbury in the 1920s to the contemporary Teviot Festival Committee. This film was made by Liberation Films, a non-profit company which grew from a group of anti-Vietnam War activists.
An Englishwoman travels to a Normandy village to investigate her husband's disappearance.
Horror story using stills. Based on the short story by Richard Davis.
Anna follows her absent Mother on her nightly ritual, as she walks round the family house, turning the house lamps on one by one. In the course of the lamp walk, Anna talks about being afraid of the dark and of the secrets that all families and lovers keep from one another.
