Électron Libre Productions

Considered one of the most beautiful actresses of her time, Grace Kelly remains an icon today. Her life and career are well documented, from her work in Hollywood to her marriage to Prince Rainier and her tragic death in a car accident in 1982. But do we know the inside story? Who really was Grace Kelly?

The portrait of a woman who remembers. Sheila tells the story of Sheila, without concessions or evasions. Her childhood, her parents, her beginnings, the rumors, her love affairs, her marriage, her son, her successes, her farewells, her return, her mourning. The journey of an extraordinary popular icon who never stopped fighting. The courage of an artist who never gives up. "Sheila, toutes ces vies-là" is also a journey through time. 60 years of pop music, punctuated by numerous archives, personal films, timeless hits and illustrations by Marc-Antoine Coulon. But also 60 years of fashion, through a legendary wardrobe (her TV show outfits) that Sheila invites us to rediscover.

The show, recorded on December 16 and televised on France 5 on February 5, provides a different perspective on the international pop star. For the performance, MIKA was invited by the sumptuous Royal Opera of Versailles and accompanied by the Symphony Orchestra of the Royal Opera of Versaille, conducted by Stefan Plewniak. Throughout the production, MIKA was joined onstage by prestigious guests such as the “Gospel for 100,” pianist Vincent Bidal, cellist Gautier Capuçon, classical guitarist Thibaut Garcia and countertenor Jakub Józef Orliński.

Today, immense confusion reigns over the quest for the absolute, revolt and fury, violence and its appendages. And many people plunge back in Albert Camus' work to find answers. In the foreword to his play, the philosopher and writer summarizes the intrigue as follows: "In February 1905, in Moscow, a group of terrorists, belonging to the Socialist Revolutionary Party, organized a bomb attack against the Grand Duke Serge, Tsar's uncle ”. The rapper and slammer Abd Al Malik offers with this "musical tragedy" a contemporary staging of "The Just", a complete creation, faithful to the text of Camus, but reinventing a scenic and musical language resolutely inscribed in our time.