The complex and beautiful hieroglyphic script of the ancient Maya was until recently one of the last great undeciphered writing systems. Based on the best-selling book by Michael Coe, called by the New York Times "one of the great stories of 20th century scientific discovery", Breaking the Maya Code traces the epic quest to unlock the secrets of the script across 200 years, nine countries and three continents.
The animated documentary Proteus explores the nineteenth century's engagement with the undersea world through science, technology, painting, poetry and myth. The central figure of the film is biologist and artist Ernst Haeckel, who found in the depths of the sea an ecstatic and visionary fusion of science and art.
Over the past 50 years, thousands of exquisitely painted Maya vases, almost all looted from tombs, have flooded into public and private collections. These amazing works of art, filled with humor and mystery, have opened an extraordinary window on the Maya past. But the race to unearth these treasures has destroyed temples and palaces, culminating in the takeover of entire ancient cities by looter armies. OUT OF THE MAYA TOMBS (formerly titled DANCE OF THE MAIZE GOD) enters the world of the vases to explore the royal life and rich mythology of the Maya, as well as the tangled issues involved in the collection and study of Maya art. The story is told by villagers, looters, archaeologists, scholars, dealers and curators. For each, these vases have a radically different value and meaning.
"Tanka" means, literally, "a thing rolled up". Photographed from Tibetan scroll paintings of the sixteenth to nineteenth centuries, Tanka is a cyclical vision of ancient gods and demons, an animated journey through the image world of the Tibetan Book of the Dead.
A commune of improvisational theatre performers, musicians, light-show artists, film makers, geodesic dome designers and former members of Ken Kesey's Merry Pranksters takes shape on a mountaintop in southern California, where they have free rent in return for caring for forty hogs. In the summer of 1968 they take off in a caravan of 40 busses to bring the Yippie party presidential candidate, Pigasus the Pig, to Chicago. Along the way they put on free participatory carnivals for thousands in rodeo grounds, indian reservations, and colleges all across the country.
Invisible Writing was commissioned as an installation by the Denver Museum of Contemporary Art. The 48-minute piece is a high definition record of live improvisation in which the eight artists of SWTB blend intimate and cosmic images to music in real time on a single screen. Layered scenes of dream and nightmare, myth and legend, landscape and memory emerge from and melt back into a magical liquid world.
