John Cadigan, an artist with schizophrenia, presents a documentary about "the world inside my head. It's a chaotic world filled with paranoia, creativity, fear and desire. A world in which I'm struggling every day, trying to know what is real and what is not."
Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in June 1967. Comedian Tom Smothers introduces Redding to a crowd that is leaving -- until Redding grabs them with his charged rendition of "Shake." Redding's performance also includes "Respect" (which he wrote), "I've Been Loving You Too Long," "Satisfaction," and "Try a Little Tenderness." Tragically, Redding died in a plane crash six months later. An innovative filmmaker who started in the 1950s making experimental films, Pennebaker garnered an Oscar nomination for Best Documentary Feature in 1993 for The War Room, his behind-the-scenes look at Bill Clinton's 1992 campaign. His other subjects have included Norman Mailer, Bob Dylan, and David Bowie.
A documentary about the rise of anti-Semitism in the USA after the terrorist attacks of September 11, 2001.
Documentary feature film that follows the personal stories of families struggling in the aftermath of the worst economic crisis since the Great Depression. Filmed over the course of one winter in one American city, the film presents an intimate snapshot of the state of the nation's economy as it is playing out in millions of American families, and highlights the human consequences of the decline of the middle class and the fracturing of the American Dream
Documentary on Jean Dominique, Haitian radio personality and human rights activist.
This is the story of Ami, a man who while unable to move any part of his body, still manages to move each and every one of us, as he teaches us a part of life's intimate dance.
Atomic Ed & the Black Hole tells the story of a scientist-turned-atomic junk collector known as Atomic Ed. More than 30 years ago, Ed quit his job making "better" atomic bombs and he began collecting what he calls "nuclear waste," non-radioactive high-tech discards from the Los Alamos National Laboratory. As the self-appointed curator of an unofficial museum of the nuclear age called "The Black Hole," Atomic Ed reveals and preserves a history of government waste that was literally thrown in a trash heap.
