He's Here Now

He's Here Now 1967

1

Through the veils of multiple exposure at an "Acid Test" party in San Francisco (toward the end of "He's Here Now" ) one might catch a brief glimpse of Ken Kelsey and Neal Cassidy. During those years, when picking up processed film at Multi-Chrome labs in San Francisco, I would sometimes run into and chat with another hero, the great filmmaker Bruce Baillie, one of the original founders of Canyon Cinema.

1967

Love Must Love

Love Must Love 1968

7.30

A love story, as it happened, filmed entirely by the lovers themselves. A joyful affirmation of peace, harmony, and beauty.

1968

Ommo

Ommo 1972

1

Originally an 8mm film with hand-painting which was blown up to 16mm and hand-painted again before multiple printings with several optical manipulations. A mandala of ever changing configurations, both angelic and demonic, to be seen as an evanescent phenomenon.

1972