NU ȚI-E RUȘINE? 1970
when feelings beat your ass
when feelings beat your ass
Vlad is leaving for the city to start working as a bartender. On the way, he finds out that his father has suddenly got sick. Forced to come back, he finds the family bar locked and Ursu, his father, laying on a table inside.
Costin, a teenage boy, likes his neighbour, Mimi, so he tries to impress her.
A group of people talk about very different subjects, including a strange course that one of them has just completed. There is tension in the air, although it is not quite clear why. They give the impression that they are killing time while waiting for a job that everyone needs for different reasons. Are they actors looking for a role?
Victor is attracted to Philip's wife. Phil is attracted to Victor's wife. Victor and Filip are neighbors, but above all, friends.
A strange dream forgotten in the morning and an unaccountable feeling cause Liviu to look with resignation upon the world he's living in. His awakening to reality may coincide with the birth of his child ...
After getting a flat tyre in the middle of nowhere, Diana is approached by an unknown man who offers to help her. Things seem fine, but the dynamic between them shifts from one extreme to another.
Radu is having a hard time dealing with his mother’s death.
A shy teacher and a versatile driver from a small vilage are gonig to town send by the mayor to bring a computer for the Mayoralty and a lavatory for the mayor, but things don't end like they suposed to.
George and Cristina are trying to break up. But despite their efforts and violent fights something keeps them together.
After moving to Bucharest, Sânziana reflects on how this change has affected her perception of herself and her body.
"Cântă cucul și pe ploaie" takes the convention of a reportage movie in the style of those made in those days at the "Alexandru Sahia" Studio. A reporter from the Scânteia newspaper arrives in the small mountain town of Bocșa to document the abuses committed many years ago, in 1962, by the headmaster of the town's high school, with the complicity of local authorities.
A documentary about a young farmer’s experience of being kidnapped by extraterrestrials.
A nightmarish depiction of the confusion of a distinguished teacher who faces the lack of attention and obedience of the new generation of young rebels.
The new goalkeeper on a youth soccer team faces bullying and hostility from nearly all of his teammates. Only one of the boys, Robert, is nice to him, and they become friends. As the two grow closer, however, unassuming Robert turns out to be guarding a bloody secret.
On the waterfront, a few soldiers inspect the perimeter where a festive table has been set up in front of a makeshift wooden stage. The garrison commander greets a motley group of foreign visitors as the waiters open the champagne to start the show. The perspectives alternate, the bah-humbug atmosphere at the guests' table is counterpointed by the reluctance of the performers and the resentment of those who prepare the meal and must serve the guests. From this group, the character played by Marga Barbu stands out for her eccentric, disruptive presence, upsetting the fragile balance of the whole performance and aggravating the already tense situation towards its dramatic climax.
Niki wants to leave his family and work illegally in Germany. The voyage with his friend Cretu proves difficult.
Set in a scientific environment, the plot of Șerban Marinescu's movie depicts the system of the piles and obligations. The editor of a specialized journal receives a phone call from an influential acquaintance in the scientific field, who asks him to publish the article of one of his protégés. The editor undertakes to print it on account of previous favors, even though the proposed article is more in the realm of speculation. At the same time, for lack of space, a scientifically valuable article with immediate applicability has to be postponed to the next issue of the journal.
The Moșilor Fair is an exercise by a student director who used his film before he had managed to finalize the originally planned movie. The result is a fascinating experimental montage, without music or sound of any kind, showing details of a legendary fair in the capital.
It's Christmas Eve in a small mountain train station and no train is coming since all the tracks are blocked with snow. Four people are waiting for a train that doesn't show up. They don't know each other, how long it's going to take or if they will ever reach their destinations. But as the hours pass, Madalina, Cristi, Ozana, Alex share the absurd, the despair and the hope. Because they are accidentally stuck here. Because no one knows when it will end. And because it's Christmas.