Fondazione Sardegna Film Commission

"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

Mr. Imbruttito, a leading executive of a large multinational, lives the routine in his hectic Milan. Breaking this balance is Brusini, an eccentric entrepreneur at the head of an economic empire, who for an absurd reason blows up what for the Brutito is the business of life. For the first time, the Ugly one feels the pinch, falls into depression, can no longer find a reason to wake up in the morning. The turning point comes from Brera, a longtime friend, who proposes to the Bruttito the purchase of a Chiringuito in Sardinia, to do business in flip-flops and finally be able to say: "I quit everything and open a chiringuito!"

"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

A perfect couple rents a holiday home on a sunny Italian island. The reality does not live up to their expectations when they find out that the pool in the house is broken. Ignorant of the fact that the island faces water shortage, they ask for someone to fix it. The constant presence of a stranger invades the couple's idea of safety and starts a chain of events, which makes them act instinctively and irrationally, heading to the darkest place in their relationship.

The story of Mary is reinvented, no longer a spectator but a courageous architect of her own existence.

Soaked to the skin, Costantino sinks into the haystack like old timber left on the shore by a stormy sea. Torrential rain has just put out the fire that in a single night ravaged Assandira, a farmstay deep in the woods of Sardinia. But the rain hasn't quenched the pain, the endless remorse for the son lost to the flames, the son he was unable to save. The first to arrive are the carabinieri and the young investigating magistrate: Costantino tries to tell them what happened the previous night, to explain how it all began.

A docufilm about the exciting story of the play-off between Cagliari and Piacenza in June 1997, when 20,000 Sardinians left for Naples to support the team then led by Carlo Mazzone, who needed a victory to avoid relegation to Serie B. Deu Ci Seu tells the story of the exodus of an entire island that mobilized to support one of the symbols of its identity.

The brothers Michele and Roberto Mannu and their brother-in-law Stefano Fais run the Babbudoiu Estate, a wine farm founded in 1948 in the surroundings of Sassari. The three partners are totally careless of the economic crisis and they waste money organizing lavish conventions for the success of their wines. But all this is doomed to an end. As a matter of fact the three partners suddenly find out that their company has 500,000 euros of debts and they only have 15 days to find the money. And it won't be easy: they'll try whatever, with an escalation of despair, comic situations, misunderstandings and absurd episodes that will lead to nothing. And when all seems to be lost, they find the solution which was right under their eyes: a glass of Bianco di Babbudoiu.

"Il mondo a scatti" is a film that intertwines images of today and yesterday, still images and moving images through a dialogue between two people who reflect on the visible and invisible things of the world: Cecilia Mangini, unstoppable ninety years old, photographer, documentary maker, screenwriter is filmed by Paolo Pisanelli, photographer, director, curator of cultural events.