Jenny Farrell is getting married. But how will her straight-laced family react when they find out that the woman they thought was their daughter’s roommate is actually her fiancée? As the old-fashioned Farrells attempt to come to terms with the prospect of a surprise daughter-in-law, they face a difficult choice: either adapt with the times or risk being left behind.
A bizarre sci-fi rock opera like little else being produced under the banner of Canadian film at the time, Metal Messiah is about an enigmatic metallic-skinned stranger trying to stop society's self-destructive obsession with rock and roll. Anchored in Toronto's live music scene if the late 1970s, this dystopian parable was the feature film debut of local music impresario and director Tibor Takács. Working with screenwriter Stephen Zoller, Takács' film is a crudely crafted, episodic work that plays out like a glam version of Amos Poe's avant-punk NYC flick The Foreigner (1978), but with even more ambition, attempting to scale to the bombastic rock opera heights of films like Phantom of the Paradise (1974) and Tommy (1975). (from: http://www.canuxploitation.com/review/metalmessiah.html)
Rejected by her friends, harassed by the police, and dismissed by the medical profession, a determined Mia forces herself to attend a residential alternative therapy training, led by Franklin Spitz, a British celebrity therapist who specialises in resolving the causes of PTSD. Using increasingly provocative psychological techniques, he probes Mia for the hidden memories underlying her condition. But the goals of therapist and client are widely divergent - Mia is searching for reality and Franklin is desperately trying to avoid it.
A documentary crew follow a minor TV star with a giant ego in is everyday life.
