Universidad de Chile

In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …À Valparaiso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.

Diego and Javiera are planning to marry, and to celebrate the occasion, the fiance invites his long time friends from childhood, Jesus, Gonzalo and Francisco, to the new apartment in which the couple lives.

A docudrama based on the family planning policies for the population with limited resources. A low-income lady resorts to clandestine ways to get an abortion...

On May 22, 1960, an earthquake with an intensity of 9.6 on the Richter Scale was recorded in the city of Valdivia, considered to date the largest and most violent earthquake ever recorded in the world. The cataclysm devastated the entire Chilean territory between Talca and Chiloé, which corresponds to more than 400,000 km. It resulted in the deaths of around three thousand people, while two million were left homeless. The film documents the efforts of a hundred workers in the face of the threat of the overflowing of Lake Riñihue.

Two undocumented Haitian siblings living in Chile face the threat of deportation. Joanne, in search of one last hope, tries to contact their parents to save her brother.

It portrays young people from different social and political classes, and collects their impressions of the context in which they live. The documentary offers a critical view of the youth of the Unidad Popular period, through an audiovisual essay.

In support of the victory of the Unidad Popular, artists create a mural on the Paseo Bulnes, located in front of the Palacio la Moneda. Among the muralists are José Balmes, Gracia Barros and Guillermo Núñez.