The inspiring true story of Eleanor Riese, a mental illness patient herself, who brings a class action suit to give competent mental patients the right to have a say in their medication while they’re in a hospital, and Colette Hughes, the lawyer appointed to her case.
While dealing with a chaotic personal life, Daisy Moriarty finds herself sucked into the underbelly of the internet. Moriarty and a motley group of coworkers toil in a cottage industry of agencies that evaluate harmful and offensive pictures and videos uploaded to social media. With detached caution and a deranged sense of humor, they examine the millions of posts that get 'flagged for review'. But one particularly violent video grabs hold of Daisy, luring her out of this office, away from the safety of her keyboard, and into a dangerous world as she obsessively seeks to hold someone accountable.
It is 1984. Frank is a determined English teenager who runs away from high school to find an alternative gay lifestyle in Amsterdam. He finds a home and a job at the "House of Boys", a bar-cum-brothel run by a strict Madame who has an eye for what his punters crave. Frank works his way up from barman to on-stage dancer and falls in love with some of his housemates, Jake. The first intimations of what is described as 'the gay cancer', casts a long shadow over Frank's tight-knit group of friends. Yet despite the troubles that cloud the hopes and dreams of young Frank, his perseverance, along with support from a willing doctor, will carry him through.
War and Justice is the first and only true-life documentary about the International Criminal Court (ICC), thanks to unprecedented access to Ben Ferencz, Luis Moreno Ocampo (ICC’s first prosecutor), and Karim Khan (its current prosecutor). Film directors Marcus Vetter and Michele Gentile follow Ocampo around the world as he enlists the support of Academy Award-winning Angelina Jolie and as they join Ferencz in the uphill battle against wars in the Congo, Libya, Palestine, and Ukraine.
Albania, 1958. Luana, the daughter of a well respected man in the village, makes friends with Agim, who moved here after his family were banned from the city by the communists. Years later, their childhood friendship turns into teenage love, but without prospects. Luana’s father promised her in marriage to someone else when she was a child. When her father finds out about Luana and Agim’s love, he is furious and immediately arranges for his daughter to be married to the man he chose for her. Luana faces a dilemma: to flee with her lover to Germany, risking being caught by the communists and probably killed, or stay loyal to her family. A poignant love story set in dark times shaped by pressure from old traditions. A deeply human tale about freedom, which is the greatest good even if the price is loneliness.
The film starts with the main character Laura, a young woman with advanced cancer, entering quite upset the home of her parents and claiming to have stopped chemo therapy and having left her husband. The worried parents call the other three adult daughters into the house and they arrive one by one. For the first time in 6 years the entire family is united again. The characters are drawn as tensions rise from old conflicts and as the situation sinks in that Laura might be terminally ill. The movie eventually shifts from a lively sometimes comical beginning into the serious theme of dying and does handle this quite tactfully and moving. While the film touches on many areas surrounding death (including religion, graveyard, care, eutanasia) the main focus is on the transformation of the characters that are thrown out of their busy lifes into this situation, eventually accepting it and dealing with it.
During the riots of 1997 in Albania the retired photographer PETRO travels from his hometown Gjirokastra to the capital Tirana. He has taken pictures of a killing with his Super-8-camera and wants to get the film developed. Petro doesn't know that he shot material that shows how a TV-camera causes the death of a man and his granddaughter in order to get a good story. Unfortunately Petro meets this cameraman - BERTI - on the trip to Tirana. When the film is finally developed Petro gets to know the truth - and he knows his life is in danger! After many adventures on the road he tries at last to present the film to the public. But he must realize that the material was stolen. So only Petro knows the truth while the media spread lies about the deaths of Girokastra.
On Christmas Eve, Francesca sets out for Rotterdam in order to find her little sister, who has run off with her musician boyfriend. On the way, she picks up Gerlinde, a heartbroken older woman at the end of her rope.
