Twilight Park, a life size stop motion animated feature film about a boy Seraphim who along with Howie Heehaw; a rodeo show clown from Tibet, gets the chance to enter his narcoleptic/dementia addled Grandpa's mind and live out his past memories in order to save him.
Dr. Reineger, a famous neuro-psychologist, has become convinced that a twin girl named Anna has a rare form of Autism called Asperger's Syndrome, rendering her unable to cope with reality. As for her blind sister, Sarah, the doctor cannot say for sure why her imaginary visions map so close to Anna's. At home, unable to face reality, their father leaves the family. To escape the pain, the girls sink deeper and deeper into their imagination. When a major earthquake takes their mother's life, Reineger gets more involved with helping the now-orphaned twins, while struggling with his realization that the girls seem to be capable of prophetic visions. The girls escape the doctor's institution and a subsequent search finds no trace of them. Have they transcended the physical realm? A mixture of live action, stop motion animation and other techniques makes this film a fantastic journey into the realm of imagination.
A young girl is lost in a forest filled with eyeball trees, skeletal animals and a nephilim
LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)
childhood memories of Autumn
John 4:13-14: Jesus answered, Everyone who drinks this water will be thirsty again, but whoever drinks the water I give them will never thirst. Indeed, the water I give them will become in them a spring of water welling up to eternal life
This film explores cymatics and telepathy among twins
Set in a parallel universe entering a black hole, a woman reading the book of Revelation has visions of regeneration during Anthropocene.
Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.
the tale of the Dodo seen through a child's eyes
arc of the natural world’s evolution from the primeval environment to the Anthropocene and back again premiered in program Death is Green at the Whitney Museum of American Art part of Dreamlands: Immersive Cinema and Art 1905-2016 organized by Chrissie Iles
A group of merchants and vikings navigate dramatic events both within and without in this epic musical based on the Icelandic Vinland sagas. As secrets are exposed, two women (Freydís and Gudrid) have a reckoning.
a couple dreams of renewal during the covid-19 pandemic
a woman's spiritual journey in Ireland on All Hallow-Een
Regeneration is a film about transformation. Starting in a dark place the character reaches toward the divine and breaks into the world of the spirit. Through this act representing an outstretched hand we see that the Holy Spirit represented as a dove is pursuing us even more urgently. The meeting of the two represents the freedom in flight found in trusting fully in the Holy Spirit and is completed with the return to the heart now fully regenerated.
Seraphim Cloud is born during a winter cyclone storm
short film made in anticipation of feature film FAUSTBOOK released in 2006 starring Jacob Faust
Jack O’ Lantern folktale about the origin of the Will-o’-the-Wisp retold through a haunted doll’s mind’s eye.
Irrational Numbers is a 2008 hand drawn animation film by artist Eric Leiser exploring hierarchies of infinite numbers and accompanying paradox's written about by mathematician Georg Cantor (1845-1918)
Terra Incognita is a multi-plane cut out animation made from photocopies of 19th century illustrations made during the race to the poles and drawings by Eric Leiser. For the puppet performance it was flat-rod puppets on a proscenium stage with a screen behind them, onto which the animation Terra Incognita is projected. Many of the sea monster puppets and ships performed in sync with the animated ones, along with splashes of water and powdered chalk to mimic snowfall. These techniques came from my time studying puppet theater in Prague, in 2002, and learning from Svankmajer and Svankmajerova. It was a lot of fun to both animate and to perform live with Jeffrey's wonder score. At the same time the film comments on the colonial race to claim the Arctic by various countries—a race that, in a sense, is still going on today, but this time again for oil—and the murders of the Inuit people who had inhabited the land for millennia.
