Dr. Worley investigates a 300-year-old witch's curse in the New England town of Devonsville. Three liberated, assertive women move into town, which angers the bigoted, male-dominated town fathers. One of the women is a reincarnation of the witch, who proceeds to exact revenge on them.
Lacey, the shaken survivor of a bloody supernatural rampage in the countryside, is flown to Los Angeles where a slick movie producer plans to cash in on her story. At a decadent Hollywood party, plans for the beginning of a new horror movie franchise are torn asunder when a fragment of the original haunted mirror turns these hotshot movers and shakers into screamers and quakers!
The Live From Austin, TX series takes the classic performances from the award-winning Austin City Limits TV show and makes them available to consumers with improved audio quality and bonus songs that were cut from the original broadcast. This fine performance delivered by the "Hag" was recorded on October 30th, 1985.
Mesmerist Jonathan Sage escapes Nazi Germany via a cryogenic tube. In the 1980s, a group of Fascist Americans thaw him out, hoping to use him as a way to rid their community of homosexuals, free-thinkers, and other "radicals."
The wonderful Americana singer Tift Merrit joins the rapidly growing list of artists on the Live from Austin Texas series. Available for the first time ever, this Live from Austin, Texas concert features a previously unreleased performance of Tift Merritt's Grammy nominated album Tambourine on the award-winning Austin City Limits PBS television show.
New West Records and Austin City Limits collaborated to release full, one-hour concert performances which were previously edited to fit the half-hour TV broadcast. These performances have been re-mixed and re-mastered in stereo and 5.1 surround sound. This performance by Kris Kristofferson on Austin City Limits was recorded on September 14th, 1981.
Kinky Friedman and The Texas Jewboys. Long before the Kinkster became a celebrated mystery writer in New York City, and waaay long before he became a candidate for Governor of the Great State of Texas (thank you very much), there was Kinky the 'country' music singer and songwriter of the mid-1970's. He was a paragon, a veritable pioneer of political incorrectness set to music, and there was nobody quite like him on the Austin music scene (or, for that matter, on the planet). There he was on the Austin City Limits stage on November 11, 1975, in his finest rhinestone suit with fur-lined guitar strap, bounding through his entire catalogue of double-entendre ditties. The band never sounded better (nor looked, well, weirder). The audience loved every lyrically devilish twist. There was only one problem. They said it couldn't be aired. There's still some mystery about exactly who they were who made the decision to pull the show.
