Vivian, Roe, JJ, Ines and a mysterious French man through a 20 year musical memory of New York City. As people and places in their lives drift away, visual impressions meld with sound and narrative stories to reveal a complex yet moving tableau. As the characters recall their own personal histories, conflicting images reveal their past, present and future.
Drawing on the richness of the good old days of cinema with live music and a thoroughly modern, “hyper-real” film experience with multiple screens and surround sound, The End of Cinematics examines the 21st-century phenomenon of viewing media content in fragmented form. From channel surfing to MTV to formulaic Hollywood films and sitcoms, we’re accustomed to—and adept at—filling in the details of storylines, of grasping an idea and determining its conclusion.
A short film music album hybrid for the Metronome project by Mikel Rouse.
This is the small feature film that formed the integrated backdrop for the live performance/music piece. As abstract images and sound combine with the various stories and insights of the subjects interviewed, an illustration of memory is created. Seemingly unrelated video images merge with the images of the storytellers to create a common thread: the views of the Silent Minority.
Hemisphere is a site-specific video installation designed for The Townsend Austin. The installation was conceived after a number of preliminary visits to gauge the room atmosphere and décor. Images were chosen and adjusted to reflect various viewing positions within the space as well as the lighting environment in the room. The pictures consist of altered views offering a slightly skewed reflection of the common place. It is hoped that the effect will be one of 'moving paintings'.
