Untitled 77-A 1977
The film contains the despair of an artist’s desire for creation on ruthless censorship, rebel, and anxiety in the mid-70s when it was politically and socially depressed.
Kaidu Club
But We Have to Start Over 1975
An experimental short film by Lee Jeong-hee
XXOX 1974
An experimental short film by Lee Jeong-hee
Elevator 1974
An experimental short film made by Kaidu Club
Song of Extermination 1974
An experimental short film made by Kaidu Club
75-13 1975
Kim Jomson's 75-13 subverts visual stereotypes by cutting through ready-made films with the tip of a knife along with fast-paced music to create a so-called "art of listening and music of seeing".
Film '74-B 1974
Film '74-A and Film '74-B are abstract experiments in which she cut and pasted films taken while running in Myeongdong, scraps of American movies, scribbles on sound magnetic film, and dots on lead film, and titled them according to the style of title construction (no title or strange symbols) that was popular among Western artists at the time.
Film '74-A 1974
Film '74-A and Film '74-B are abstract experiments in which she cut and pasted films taken while running in Myeongdong, scraps of American movies, scribbles on sound magnetic film, and dots on lead film, and titled them according to the style of title construction (no title or strange symbols) that was popular among Western artists at the time.
Three Mirrors 1975
Han Ok-hee's Three Mirrors fantastically expresses the world of a woman's desires, and the surrealist screen composition, the image of a symbolized candle, the nude female body, and the everyday will to break the suffocating wall of reality are poignantly reflected in the flow of the image.
Rope 1974
It depicts a dog being dragged by the hand and the reflection of humans in the dog's eyes, and uses animation techniques to capture the image of a line that starts from the umbilical cord and goes through all the panoramas of life to the hanging rope.
Over 1974
An experimental short film by Han Soon-ae
The Hole 1973
Portray of desperate desire for the escape to the open world from imprisonment.
Color of Korea 1976
It shows Korea’s traditional colors and culture through the use of superimposing. It is an experimental film, which not only tries to show Korean traditional culture through the use of color, but also tries to show the modern history of Korea.
The Middle Dog's Day 1974
shows visual and metaphorical representation using rope as a motif through various rope images and meanings.
2minutes40seconds 1975
One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.
