Two young directors adapted the short stories of two Russian authors whose works had been banned for decades, and so their film ended up in the censor’s vault as well – for twenty years. Both tales look back to the post-revolutionary era: 'Angel' speaks tragically of the brutality and destruction of the time, and 'The Homeland of Electricity' captures its haunting grotesquery.
Gallows is being raised in a prison yard. A moment before the execution the Girl brings a document of the young communist's temporary pardon. The chief of the prison, the Major, has a mandolin collection. He offers a fistfight to the young communist. The young man hits him. The Major and the young communist start playing the mandolins together. Girl is allowed to meet the young communist. The boy begins to play. The melody brings to the Major pleasant memories. He fought in the Spanish civil war, but after the defeat, he turned back on his beliefs. The Major receives a telegram that he needs to send the young communist to another prison. Death awaits him there. In is rage the Major breaks the mandolins. He orders the young communist to be taken out to work. The young man runs off. The Major shoots him himself.
