Christiane de Ravenel and her husband, William Andermath were attracted by the owners of spa resort at Mont-Oriol by offering luxurious amenities and promising health benefits. However, the plans face numerous challenges, including financial difficulties and personal conflicts.
Based on the novel of the same name by I.A. Goncharov.
Tractor driver Pronka Lagutin comes to the city. Meeting the director's assistant unexpectedly turns into an invitation to him to play the role of a rural guy who moves to the city. Pronka rehearses with pleasure, but realizing that staying means never seeing her native village again, she runs away from the director.
Young graduate student Anna Ivankevich arrives in her native village, where she has not been for about 20 years. Here, in the rural silence of her aunt’s house, she is going to write her dissertation. Suddenly, two strange strangers unexpectedly appear in the house, whom Anna initially mistakes for thieves. They claim that the owner of this house yesterday rented it to them for two weeks, and for greater persuasiveness they hand over a letter in which Anya’s mother confirms this and also asks her to live with their neighbor, grandfather Gennady. This all looks very strange... And then the fantasy begins - it soon turns out that they are guests from the future, and chose this house as an intermediate station.
Chronicle dramatic scenes of Germany under the rule of fascism.
Follows the persistent, but not always noticeable battle for the moral foundations of the individual, for the future of young people.
The love triangle: wife, husband and his mistress, amusingly crumbles because the loving writer is fleetingly infatuated with a third woman, young and inexperienced, rightly believing that an artist needs a muse every day, not a wife and mistress.
In "Dead Souls" Gogol posed the most pressing and painful questions of modern life. The very title of the poem had enormous revealing power; it carried, according to Herzen, “something terrifying”, “he could not name it otherwise; not the revisionists - dead souls, but all these Nozdryovs. Manilovs and all those like them are dead souls, and we meet them at every step..."
Based on the play of the same name by Sergei Naydenov.
Nurdin is a man who failed to protect friendship and love, who retreated before deceit and hypocrisy. The benevolent viewer is personified by the Old Man, a character who seems to stand outside the plot. Nurdin tells the Old Man about his life.
On the legal and moral education of youth.
The teleplay was based on V. Mayakovsky’s poems “You!”, “Listen!”, “Conversation with Comrade Lenin” and other works of the poet.
A story about two sisters, in which one was married to a commissar, the other to a White Guard.
A tired, naive librarian in her fourties, has experienced hard labor, chores, and failed love. Her brittle voice and childish naiveness add to her defenselessness. Despite her stubbornness, she maintains a strong spirit that helps her stay true to herself.
Based on the work of Samuil Yakovlevich Marshak “Woe to Fear - Happiness Cannot See.”
