Blue Blood

Blue Blood 1914

6.20

The Princess of Monte Cabello is divorced and is granted custody of her beloved daughter. Her ex-husband's mistress hires private detectives who take seemingly incriminating photographs of the Princess with the actor Jacques Wilson. The Princess is devastated when these cause her daughter to be taken from her, and the Princess then falls into the clutches of Wilson. In order to pay his gambling debts, Wilson forces her to humiliate herself by appearing in a play. The Princess sends a note to the Prince of Monte Cabello saying that after the first performance she will not compromise his name again.

1914

Pierrot the Prodigal

Pierrot the Prodigal 1914

5.60

A example of female fantasy is L'Histoire d'un Pierrot (1913), based on a musical pantomime by Mario Costa with Francesca Bertini in the role of Pierrot and Leda Gys as Louisette. The young and naive Pierrot is led astray by the evil wine merchant Pochinet (Emilio Ghione). He hopes to distract Pierrot with drinking and gambling while he tries to seduce Louisette.

1914

The Masked Amazon

The Masked Amazon 1914

4.60

Silent adventure film in which a horse riding woman has to save her husband from prison in a enemy country.

1914

Venomous Tongues

Venomous Tongues 1913

1

Charles Raleigh is a cousin of Miss Clara Burton, and is secretly in love with her. She returns his affection in secret also. Time parses and George Conway makes love to Clara. She considers his proposal of marriage long and seriously and makes entry of it in her diary. About this time Charles is called to America to look after his mining interests. He arrives in time to find himself a pauper as the result of a terrific conflagration that has swept his property. He decides to make a new start, but finds the battle difficult.

1913

The Black Circle

The Black Circle 1913

5.00

The Black Circle is a Italian film from the Celio Film company.

1913

A Wife's Devotion

A Wife's Devotion 1914

1

The film tells the story of Maria, a young typist who falls in love with a distinguished gentleman by whom she becomes pregnant, without knowing that he is married. The gentleman, assailed by debts resulting from his dissipated life, depends upon his rich wife, and has no intention of marrying the poor girl. After having refused the money offered by him in compensation for her dishonour, Maria wanders desperately, with her baby in her arms, until she decides to accept the propositions of a stranger, with the single aim of buying a gun to carry out her own revenge.

1914

The Marble Faun

The Marble Faun 1920

1

The film, a swirling drama of love and death, is loosely adapted from Nathaniel Hawthorne’s 1860 novel The Marble Faun. Princess Maria (Elena Sangro) is married to the Duke of Helgoland (Ugo Bazzini), the leader of an anti-government plot about to be exposed by their house guest Count Giorgio (Carlo Gualandri). Giorgio tries to involve Maria, and in his fatal fight with Helgoland, her husband is killed using the knife that Maria hands to Giorgio. Forced to flee, they meet up again in Rome, where Maria has changed her name to Myriam and Giorgio has become a monk. Giorgio still desires Myriam, who rejects his advances, and she convinces her suitor Donatello (Giorgio Fini) to kill him.

1920