Earl Stone, a man in his eighties, is broke, alone, and facing foreclosure of his business when he is offered a job that simply requires him to drive. Easy enough, but, unbeknownst to Earl, he's just signed on as a drug courier for a Mexican cartel. He does so well that his cargo increases exponentially, and Earl hit the radar of hard-charging DEA agent Colin Bates.
A Korean War vet returns to his job as a railroad engineer and becomes involved in a sordid affair with a co-worker's wife and murder. Preserved by the Academy Film Archive, in partnership with Sony Pictures Entertainment, in 1997.
Korean War--era veterans and ex-classmates "Gunner" Casselman and "Sonny" Burns reunite upon their return home. Gunner, who spent the war years abroad, is trying to convince his mother that his gal Marty is good enough for him, while Sonny, who was stationed stateside, is torn between loyal Buddy and tempting Gale Ann. As they commiserate, the men realize that they're outgrowing the lives they lived before the war.
A vicious band of nuclear terrorists is threatening America's atomic weapons research. Truck jockey Charlie Morrison (Forrest Tucker) volunteers for a last-ditch, suicide scheme to lure them into a trap, baited with a vital shipment of bomb-grade plutonium. Soon, Charlie's high-balling it down a remote desert road with a small army of lethally equipped bandits zeroing in on him. Charlie's secret weapon? "Big Thunder", a 65-foot, 18-wheeled war wagon of merciless high-tech destruction!
A war hero forced to participate in a smuggling ring meets a prostitute in the postwar ruins of Manila.
Documentary directed by Tom Kleespie inspired from Korean War veterans who recall memories both painful and patriotic, putting a human face on an often forgotten conflict. Stories include wartime recollections, such as one soldier's first moments seeing a MiG fighter up close, and veterans' often-tragic experiences returning home, where Americans largely neglected to welcome them back.
From the archives of the “queer Smithsonian,” San Francisco’s GLBT Historical Society, comes the forgotten history of a gay Korean War veteran tasked with writing the military discharges of outed gay seamen. The Typist details a conflicted clerk’s participation in discrimination and his divided allegiance to homosexuality and heroism.
AfterMASH is an American situation comedy that aired on CBS from September 26, 1983, to December 11, 1984. A spin-off of the series M*A*S*H, the show takes place immediately following the end of the Korean War and chronicles the adventures of three characters from the original series: Colonel Potter, Klinger and Father Mulcahy. M*A*S*H supporting cast-member Kellye Nakahara joined them, albeit off-camera, as the voice of the hospital's public address system. Rosalind Chao rounded out the starring cast as Soon-Lee Klinger, a Korean refugee whom Klinger met, fell in love with and married in the M*A*S*H series finale "Goodbye, Farewell and Amen." AfterMASH premiered in the fall of 1983 in the same Monday night 9:00 P.M. EST. time slot as its predecessor M*A*S*H. It finished 10th out of all network shows for the 1983-1984 season according to Nielsen Media Research television ratings. For its second season CBS moved the show to Tuesday nights at 8:00 EST., opposite NBC's top ten hit The A-Team, and launched a marketing campaign featuring illustrations by Sanford Kossin of Max Klinger in a nurse's uniform, shaving off Mr. T's signature mohawk, theorizing that AfterMASH would take a large portion of The A-Team's audience. The theory, however, was proven wrong. In fact, the exact opposite occurred, as AfterMASH's ratings plummeted to near the bottom of the television rankings and the show was canceled nine episodes into its second season, while The A-Team continued until 1987, with 97 episodes.
W*A*L*T*E*R is a pilot for a spin-off of M*A*S*H made in 1984 that was never picked up. It starred Gary Burghoff, who reprised his M*A*S*H character. The show relates the adventures of Corporal Walter O'Reilly after he returns home from the Korean War. He is no longer calling himself "Radar" and has moved away from Iowa after he sent his mother to live with his aunt. Settling in St. Louis, Missouri, by the beginning of the series he has become a police officer, though his character is still as in the original series.
