After her father's funeral, Maarit plans to return to Thailand. On the day of the departure, she finds her mother Sylvi and her father’s taxidermy badger in a bar and Sylvi makes a revelation that may change Maarit’s departure plans.
Markku built a house for his family with his own bare hands like a strong man is supposed to do. He worked hard from dawn to dusk, so that his seven children would have a roof above their heads. Unfortunately, the task ended up being too hard and Markku burnt out. One day, he left his family and disappeared abroad. The filmmaker travels to his childhood home to face his father, who he never got to know properly. Together they build a steel gate in front of the unfinished house, and try to create a relationship between each other.
After the disappearance of his wife Juha has lost control of his life as well as the connection to his son. One morning a visitor comes to his door and the one-day love story following this encounter leads Juha to crossroads. We Have Heaven is a short film about old junk, nocturnal organ ballads and cosmic distances.
Rebekka and Aatos, stuck in the past, meet for the first time since their painful breakup at their treasured poetry slam. It’s easier to sing about longing than to talk about it.
Joy the Magic Clown’s faith in herself is being tested. But if you can’t believe in yourself, how can you believe in magic?
Somebody Should Do Something tells a story of insecurity and longing for freedom, of fear that drives people to poor choices. The main character, Elvis, falls for the new girl in class, Onerva. Seeking acceptance from his friends, Elvis lies and tells them he’s had sex with Onerva. Due to the lies and misunderstandings, the whole town is soon at a point where somebody should do something.
The documentary is a part of "Europe refuses to work" project. The goal of the project has been to gather together ideas and practices that are encouraging from the critique of work, which open up prospects for a more meaningful and sustainable world.
They are everywhere without us observing them. These ‘invisibles’ can only be seen on camera and only heard thanks to a microphone. Footage shot in public spaces shows people who seem non-existent to everyone else in the frame.
A Finnish family gathers together to spend time at grandparents’. When the night goes on, we realize that this is how things always go. With a warm and subtly humorous gaze, the film looks closely at the unspoken structures and norms inside a family.
In the aftermath of a death, a home is cleaned out; the accumulation of a life is removed in bags and recycle bins. But what becomes of the collection of books? Laura Rantanen’s resoundingly moving and wistful documentary reflects on the end of life, what lingers behind, and the moments when a book breaks through the monotony to open the world around us.
Story about 29-year-old Krisu, who is quite lost in her life. Luckily, she has a indie band called Wendy and the Refugee Neverland.
A young man tries to drown out feelings brought on by his painful breakup but can't even seem to get rid of his ex-girlfriend's hair.
In a forest, three elderly sisters are playing hide-and-seek. As the play goes on, time starts to lose its linearity, and past selves merge with present ones. What follows is an odyssey through dreams and memories, a hallucinatory exploration of time and collective imagination.
Three guys share their thoughts and surviving methods in a strange but warm-hearted forest trip.
Arvo is lonely, and his annoying big sister Ulla is no help. Arvo decides to get himself a new friend: a parakeet.
A short film by Olli Ilpo Salonen.
27-year-old Mona works alone at a remote grill, studies again for the upcoming entrance exams and endlessly misses her spouse Helga, who is on a business trip. A new employee starts at the grill, 19-year-old lively and unbalanced Leo, who in all his likability makes Mona miss her past.
As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.
A shared moment by a fire in the remains of an Eastern Finnish rural community. The lines between light and dark, past and present start to waver. It Takes Years to Reach Us is a meditation on remembering while we drift on.
