Behind the Screen 1915
A look behind the scenes at Universal Studios in 1915.
A look behind the scenes at Universal Studios in 1915.
A cartoon from Pat Sullivan featuring Charley Chaplin.
Hank Rouser, "Big Noise Hank," as a daring stranger had called him, was mad clear through. Julius Jones had faithfully promised to return that $500 after thirty days, and now it was long past due, and not even a line from Mr. Jones. So after a little friendly persuasion, in which Hank's six-shooter was brought into prominence, the bar was effectively cleared of its patrons, despite the protests of the barkeeper, and the bully sat down to dispatch a few terse sentences to his tardy friend, upon the receipt of which, Julius, with the aid of Caleb, his old family servant, quickly packed his traveling bag and started on a little journey, which he wrote to H. Rouser, would surely keep him away several months. (Moving Picture World)
Colonel Bunk, after seeing his first movie, appoints himself “supreme censor of the movies” and he and his Board of Censors set to the task of “pruning” a movie (in more ways than one).
Swift Wind, a young chief, loves Dancing Fawn. In their ramblings, they too, see white wolves, which is an object of fear and veneration among the Indians, and return to the village. The two are betrothed by the old chief, but old Red Nose, the medicine man, demands her hand for himself. The chief, fearing his magic powers, considers. Dancing Fawn runs away to her lover. Swift Wind is taught a secret by an old trapper, "If a trap is baited with an animal's own hair the iron jaws will never fail to catch it." The Indian decides how he will overthrow his rival. At his instruction Dancing Fawn cuts off a lock of hair from the sleeping medicine man. With it Swift Wind baits the trap. The next day a wolf is caught and as the Indians approach the trap the beast turns into the medicine man. The hand of the great father has proven his love again and Swift Wind and his sweetheart are united.
Almost a Rescue is a 1913 movie starring Donald MacDonald and Roscoe Arbuckle.
A young mountaineer loves Dorothy, daughter of a backwoodsman. An artist comes into the district to paint and falls in love with Lucille, Dorothy's sister. Dorothy is interested in the artist on account of her sister's love for him, and she poses.
Dorothy and her father have staked all their hopes on their mine. While they are awaiting the arrival of Mr. Reid, who is to report on the value of the mine, Pedro, a Mexican, makes familiar advances to Dorothy and is sternly repulsed. Reid arrives and a mutual attraction springs up between himself and Dorothy, to the chagrin of Pedro.
Professor De Risque, anxious to escape for a time the too solicitous attention of Madame De Risque, arrives at Roaring Gulch and, noting that the town numbers some very pretty girls amongst its population, he hangs out his shingle announcing the fact that he teaches the piano and violin. The professor is charming and the young ladies are impressionable, they readily desert the constant cowboys for the professor. The cowboys get their heads together and plan a counter-move.
Eddie leaves on the train for his uncle's place to meet the girl who has been picked out for him to marry, much to his displeasure. Victoria sets out for her aunt's for the same purpose and takes the same train. Neither knows the other and has no idea in what the other looks like. The fat man and his wife and three children board the train. Finding that they have left the baby's nursing bottle behind, the wife gets off to buy another and misses the train. At the next stop the fat man gets off to telegraph to his wife, leaving the children in charge of Eddie, who is his friend.
The wife takes with her their small daughter, leaving the son to the care of the father. The forlorn woman wanders into a fishing village, and is taken into a kindly fisherman's family. To more surely separate herself from the world that knows her. She assumes her maiden name. Many years afterward the father and the son, now grown, pass through the village. The son becomes acquainted with his own sister, knowing nothing of the relationship, and falls in love with her. He persuades his father to spend his season at a summer resort nearby. Later, the son and the daughter are secretly married. The girl leaves a note for her mother, telling her of the act. The mother follows to the parsonage, and then the summer resort, where she overtakes the couple.
Randall is a rich mine owner whose business affairs cause him to neglect his somewhat frivolous wife. There is a mutual friend whom Randall carelessly allows to entertain his wife. As a result, the friend pays more than natural attentions to the woman. The three visit one of Randall's mines. The wife and friend go down the mining shaft in a bucket. While they are yet underground, a quantity of dynamite explodes. The mine is filled with poisonous fumes.
Bess's pet donkey Sammy, has just died. Her three cowboy lovers call to propose, and as they all arrive about the same time, Bess is in a quandary. Her recent bereavement sharpens her wits. She tells them she would marry the first one that brings her a white donkey, just like her dead Sammy.
On her deathbed, Renee's mother confides to her daughter the troubled history of her life. She was wealthy and she was loved alone for her riches. She was to be married; on her wedding day the bridegroom married another woman he really loved. She married her second choice of men and after two years, he left her.
Jacques watched through an opening in the foliage and saw Gilbert of the mounted police and his own wife exchange pleasant greetings. From that moment he hated the police officer. Gilbert was too fine-looking.
A story of the inside life of nomads who live in the shadow of civilization, worshiping their own goods and clinging to their ancient rites.
The earliest surviving film featuring Lon Chaney in a major role, By the Sun's Ray's was but one of several 2-reel westerns starring the florid Murdock MacQuarrie. MacQuarrie plays a detective investigating a series of gold shipment robberies. Along the way, he falls for a mine superintendent's pretty daughter (Agnes Vernon), much to the dismay of a sullen mine office clerk (Chaney), who is also smitten with the girl...
Held and Brady are fellow officers of the mounted police, and both love the same girl, while Brady's affection is overshadowed by a deep hatred for his rival. The two men are dispatched into the surrounding forests to look for timber fires.
The Chief's son, Silver Water, returns from college and is met at the station by the tribe. The Indians make merry to celebrate his homecoming. Hal Benton, an easterner, rides on to ask his way to the hotel, where he is stopping with some friends, among them his fiancée, Veda Mead, and her father. Knowing that the Indian ceremonies will interest his friends, Hal obtains permission to come the next day and bring his friends. The Chief calls Morning Star, an Indian maiden, telling his son that she is to be his squaw. Silver Water is pleased with her. The next day Hal Benton and his friends arrive. While the others inspect the camp, Veda Mead amuses herself with Silver Water and ere long is thoroughly infatuated with him, while the Indian's vanity is touched by the attentions of the society coquette, and he promises to meet her the next day. Their little tete-a-tete is cut short by the entrance of Morning Star.