The King of Kings

The King of Kings 1927

6.40

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

1927

Walking Back

Walking Back 1928

7.80

Jazz age youngster Smoke Thatcher "borrows" a neighbor's car to take Patsy, his sweetheart, to a dance after his father refuses to lend him his car. A car-fight with a rival results in the borrowed automobile's being so wrecked that Smoke cannot return it. The garage to which he and Patsy take the car for repair turns out to be actually a gang's hideaway and a place where stolen cars are brought and later fenced.

1928

A Ship Comes In

A Ship Comes In 1928

5.67

Film which tells the story of immigrants coming to the United States.

1928

Dress Parade

Dress Parade 1927

6.50

An amateur boxing champion stops at West Point to see a dress parade and falls for the commandant's daughter. He wins an appointment to the Academy and begins a rivalry for her affection.

1927

Chicago

Chicago 1927

5.70

Based on a true story, two-timing boozing wife Roxie Hart kills her lover in cold blood after he leaves her, and finagles her way out being indicted. The basis for Kander/Ebb's 1975 Broadway musical of the same name and its Oscar-winning 2002 film adaptation.

1927

His Dog

His Dog 1927

1

Peter Olsen, a young social outcast who lives alone on a rundown farm and raises vegetables for a living, finds his only consolation in liquor, though Dorcas Chatham, daughter of the general store owner, begs him to forego this indulgence. Returning from town, he finds a dog by the roadside, apparently injured by a car, and takes it home. Later, on a drunken spree, Peter is attacked by robbers, but the dog comes to his rescue and frightens the assailants away. Stirred by the unselfish devotion of his dog, Peter gradually regains his self-respect, and Dorcas falls in love with him and accepts his proposal, though she fears the dog. When Peter enters the dog in a show, another exhibitor proves to be its owner, and Peter is first parted from, then reunited with, "his" dog. Dorcas overcomes her fear and is united with Peter.

1927

The Wreck of the Hesperus

The Wreck of the Hesperus 1927

1

Captain Slocum of the Hesperus arrives on shore in a New England village to find that the girl he loves has been tricked into marrying John Hazzard in his absence. Heartbroken and bitter, the captain, with his daughter, Gale, and second mate, Singapore Jack, returns to sea. He rescues from a burning vessel John Hazzard, Jr., son of his rival, and though he tries to keep the boy from Gale, a romance develops. ...

1927

The Forbidden Woman

The Forbidden Woman 1927

1

A colonel of the French army in North Africa believes his brother, a sensitive musician, to be in love with the colonel's wife and so arranges for his brother to be drafted into the colonel's own corps. Unknown to either is the fact that the colonel's wife is actually an Arab spy.

1927

The Blue Danube

The Blue Danube 1928

1

Marguerite, the beauty of an Austrian village, loves the poverty-stricken Baron Erich von Statzen, although her mother is opposed to the affair, having been made suspicious by the hunchback Ludwig, who is smitten by Marguerite's charms and insanely jealous of Statzen. Statzen's uncle would have him marry Helena Boursch, the local brewer's daughter, to save his dwindling estate. Ordered to the front when war is declared, Statzen is forced to leave without saying goodby to Marguerite.

1928

The Girl in the Pullman

The Girl in the Pullman 1927

1

Dr. Burton's divorce is about to be effective when his flappery ex-wife Irene pays him a visit turning everything upside down. To avoid explanations to his bride-to-be and her mother they all take the train, including Irene and her lawyer, who will try to prevent him from committing bigamy, as the divorce won't be effective until midnight.

1927

Stand and Deliver

Stand and Deliver 1928

5.80

Our heroine, Miss Velez (despite the fact that she seems to be just along for the ride) is much her usual over-eloquent self (how fortunate she has no sound track!), while Warner Oland makes such an impressive and villainously seedy bandit, he needs no sound track at all. We can just imagine his oily, purring accents all too well.

1928

Almost Human

Almost Human 1927

8.00

John Livingston is a rich mama's-boy, who owns a blooded dog named Paul. Paul meets Maggie Mutt, and Paul, being a pedigree canine and somewhat of a cad, lures trusting Maggie to the barn to have his way. He then departs for his palatial doghouse at the Livingston estate. Meanwhile Maggie is broken-hearted and also finds that she is in a "family way", and gives birth to a pup she names Hank. Maggie tells Hank to find his "human ", and departs the scene. Hank goes to the park, meets a "human" named Mary Kelly, who is a homeless waif and sweetheart of poverty, and the two adopt each other. Later on in the park Paul comes strolling along with his 'human', John. A child falls into the lake and Paul and Hank team up to save her.

1927

A Harp in Hock

A Harp in Hock 1927

1

A Harp in Hock, also known as The Samaritan, is a lost 1927 American silent melodrama film directed by Renaud Hoffman, produced by DeMille Pictures, and distributed by Pathé Exchange. The film starred Rudolph Schildkraut, Junior Coghlan, May Robson, and Bessie Love, and was based on the short story by Evelyn Campbell.

1927

Risky Business

Risky Business 1926

6.00

A domineering mother sets out to break up the romance and possible marriage of her daughter, Cecily Stoughton, with Ted Pyncheon by several contrived devices and bringing in other candidates more to her liking.

1926

The Fighting Eagle

The Fighting Eagle 1927

5.00

The exploits of Brigadier Gerard who helps expose Foreign Minister Talleyrand as a traitor to Napoleon.

1927

Tenth Avenue

Tenth Avenue 1928

1

Joe, a weakling gangster, and Bob, an ex-gambler, compete for Lyla Mason, a working girl who also runs a 10th Avenue rooming house in New York city. Bob's desire to show Lyla he can support her leads him back to the gambling table when past-due rent threatens her with eviction. Bob and Joe are both suspected when Fink, a bootlegger, is found murdered in his room.

1928

The Angel of Broadway

The Angel of Broadway 1927

1

Babe Scott, a cabaret dancer who is constantly searching for sensational material to shock her customers, conceives of burlesquing a Salvation Army girl and attends mission meetings on the East Side for atmosphere. There she meets Jerry Wilson, an honest truckdriver and friend of the Army captain. Although the act is a success, Babe is disillusioned to find Lonnie, a fellow worker who has been romancing her, stealing her money and making overtures to Big Bertha, the hard-boiled club hostess.

1927

Vanity

Vanity 1927

1

Barbara Fiske, a beautiful girl of social standing, is about to be married to Lloyd Van Courtland. On the eve of their marriage, she foolishly pays a visit to a colorful steamship captain aboard his ship.

1927

Midnight Madness

Midnight Madness 1928

1

In Midnight Madness millionaire diamond miner Michael Bream (Clive Brook) discovers that the woman he’s marrying — funfair shooting-gallery hostess Norma Forbes — is a gold digger. So Bream decides to teach her a lesson, and forces her to live with him in the remote African outback where, eventually, she realizes her true affections.

1928

The Clinging Vine

The Clinging Vine 1926

6.20

When a hardened businesswoman who goes by the initials A.B. overhears someone calling her an “Amazon” because of her butch ways, she agrees to a more “feminine” makeover. In the end she learns that no matter how she looks she’s still the smartest person in any room. 

1926