Ben Hur 1907
The first adaptation of Lew Wallace's novel, Ben-Hur: A Tale of the Christ.
The first adaptation of Lew Wallace's novel, Ben-Hur: A Tale of the Christ.
A group of travellers go into a house for protection. Little do they know, it is filled with ghosts who make unusual things happen to them.
In this film, Méliès concocts a combination fairy- and morality tale about the foolishness of trying to look too deeply into the workings of an unstable and inscrutable universe. At a medieval school, an old astronomer begins to teach a class of young men, all armed with telescopes, about the art of scrutinising an imminent eclipse. When a mechanical clock strikes twelve, all the young men rush to the windows and fix their telescopes on the heavens.
An impecunious chap is unable to pay his rent, whereupon he is ejected, but all his furniture is retained and he is allowed to remove only his rolling bed. Pulling this a few blocks, he is exhausted and lies down on the bed to rest. He is soon the center of attraction, and the crowd continues to gather, when the police order him away, and as he refuses to move he is started off by the officers, who guide him for a time, but are forcibly deterred by indignant citizens from further interference. The impecunious man and his bed, which gains momentum as it runs down the inclines, cause much excitement en route, and finally arrive at the business center, where it comes to a stop alongside the walk. Our friend has purloined a fur coat and an auto horn on his tour, and now presents a modern chauffeur. (Gaumont catalogue)
A demonic magician attempts to perform his act in a strange grotto, but is confronted by a Good Spirit who opposes him.
A pig dressed in fancy clothes flirts with a pretty girl, but she humiliates him and tears off his suit; she then makes him dance for her affections.
A family troupe of acrobats, made up to appear Japanese, perform various unbelievable stunts in front of the camera, achieved through a trick of the camera.
The film, a parody of the novel Twenty Thousand Leagues Under the Sea by Jules Verne, follows a fisherman, Yves, who dreams of traveling by submarine to the bottom of the ocean, where he encounters both realistic and fanciful sea creatures, including a chorus of naiads played by dancers from the Théâtre du Châtelet. Méliès's design for the film includes cut-out sea animals patterned after Alphonse de Neuville's illustrations for Verne's novel.
A traveler stays the night at a rural inn, but gets no rest as he is tormented by various spectres and mysterious happenings.
As an older man and a youth are eating at the table, the older man decides to amuse himself by using pepper to make the boy sneeze. Later, the boy retaliates by sneaking into the older man's room and putting pepper in his handkerchief, hairbrush, and clothing. But things quickly get out of hand when the sneezing that results begins to disrupt the whole town.
A combination of the story of Goldlocks and the Three Bears with the true story of how Teddy Roosevelt spared a bear cub after killing its mother while hunting, an event which led to the popularization of the teddy bear. Goldilocks goes to sleep in the bears' home after watching six teddy bears dance and do acrobatics, viewing them through a knothole in the wall. When she is awoken by the returning bear family, they give chase through the woods, but she runs to the aid of the Old Rough Rider, who saves her.
A magician is surprised when he attempts to transform a beetle.
The title is vital, since the bulk of the action consists of a well-dressed man magically producing a series of items to furnish a bare room, culminating in his summoning up a charming lady to share his meal. Hearing the guards approaching, the man reverses the process, ending with a bare room when the two men enter.
A peddler of "the best glue" sets up his outdoor stall. A crowd gathers for a demonstration. As he gives his pitch, two observant cops decide drive off his customers and close him down, much to his fury. He seeks revenge as they sit on a park bench.
Dramatization of the real-life shooting of Stanford White by Harry K. Thaw.
A piano entices anyone who comes near.
The opening title card explains that a painter has just finished his work when his assistant comes in and accidentally drinks varnish. The film then picks up as the painter goes haywire and sends the assistant into the painting.
Behind-the-scenes footage showing Alice Guy directing an early sound film.
A boy spreads glue all over town.