Suna, fifty year old, a poor woman with no income, finds a place to stay by marrying an old man. Suna hates making love with her husband. Her restless heart won't give her or anyone close to him peace. She gets depressed. She drinks alcohol secretly. She meets someone and has bad experiences in there.
Valia is a young woman used to observing others as part of her work, and so reality is becoming a canvas where characters live out a kind of life. She records the same shot with a small video camera: the street in front of her apartment where there is a restaurant. Some days later, she meets Guido, the owner of the Italian restaurant. Guido is her antithesis, perfectly adapted to daily life and conscious of his own social dimension. Valia, on the other hand, lives in this two-dimensional world, separated from what is actually happening and what she observes. Valia's life changes when she discovers a small lump on her breast and she is diagnosed with breast cancer. With Guido, Valia recovers her otherness while facing her end.
Sara has fallen in love with Iván, a man who is invisible to Sara. Ivan does not reciprocate. Sara becomes obsessed with him instead of taking care of herself.
Mateo is an unscrupulous young real estate agent. He lives in a house where nothing is lacking, but his well-off life will be disturb one morning because of the presence of an intruder.
After the rise of 30 pesos on the Metro fare in Santiago (Chile), Chilean people rise up against the repressive measures of the government to stop the protests. With a scarf on the face and a camara, I’ll show the real upset of the social outbreak that woke up a country that was sleeping for 30 years amongst an illusion of democracy
