A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.
Complications arise in a director's attempt to film a scene in Life, and Nothing more... (1992).
Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
A visual social examination in the form of ten conversations between a driving woman and her various pick-ups and hitchhikers.
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.
A collection of 24 short four-and-a-half minutes films inspired by still images, including paintings and photographs. An experimental project made by filmmaker Abbas Kiarostami in the last three years of his life.
A boy on his way home from school kicks a ball out of a street where some children are playing. He's chased and forced to take a new way home.
Static shots of his photos alternate with footage of director Abbas Kiarostami's car winding through mountain roads, as the Iranian filmmaker muses in voice-over on the significance of the journey and on the path of his work and Persian literature as a whole.
