Društvo ŠKUC

A bald-headed professor Rozina, with the help of his brother and female assistant, for many years tests all possible chemical compounds and solutions that could accelerate the growth of hair cells. Meanwhile, in the far galactic kingdom, at the edge of the Andromeda nebulae, King Alfred caught his son smoking cigarettes. A single poof of that substance can be fatal, since gasified tobacco causes anti-evolution process in the population of this kingdom. Fortunately, the inhaled dose was so small that the prince devolves only to the level of a bull. As a punishment, father King sends him to Earth, which is famous for the worst grass in the galaxy, so he could socialize well and come to his senses. Grizel supposed to seven long years, to come to his senses and to socialize better. Coincidentally or not, the prince-bull finds himself in the laboratory of professor Rozina, where he becomes the subject of professor's research. And here the story of evolution and anti-evolution interweave.

Film about Damir Avdic, artist of words who speaks about the world as he sees and understands it. With no superfluous comments. Words as sharp as a razor blade, as straight as a bullet, as honest as a heart. On the stage he is alone, with his guitar and his voice.

After trying his luck in Berlin, Mitja returns to Slovenia where he is greeted by his boyfriend Bojan. The reunion turns out to be less than ideal as Mitja struggles to tell Bojan a secret that could cost him their relationship. But before he finds the right moment, things quickly get out of hand.

A documentary video presenting a concert by the Laibach group at the 1982 Novi Rock festival. A video as a document on the beginnings of the controversial band with its original members.

Experimental feature about two young men trying to make a film.

A compilation of the Borghesia video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR), issued in 1985 as the first video cassette by the FV Label. These are short, almost 'film-like' stories focused primarily on the iconography of the body in urban surroundings. One of the clips presents a pioneer use of computer graphics.

The game of chess as a symbolic and performative practice forms the core of this video, which is essentially determined by staged scenes, reworked mechanical figurines and the performance of the main protagonists. It differs both from the high-tech video spot and fast editing.

The video starts as a criminal story of one man chasing another, whereby the emphasis is not laid on the final outcome, but on colour surfaces that sneak into the black and white world of industrial plant. Then the colour instantly covers the entire video surface, a naked man's body appears and the camera starts revealing its details. The end of the video presents seemingly frozen bodies that, within the medium of motion pictures, endeavor once again to find the illusion of stillness offered by fine art.

We live in an era of instant television, instant lunches, instant jobs, instant marriages and instant society in general. “Who’s Afraid of Jerry Springer” is a hysterical telenovela in which reign a quasi-cosmopolitan fashion editor Samanta and her bohemian husband Dario.