La Fondation Gérard Courant

During a shoot with an Eagle K4 camera, a failure caused freeze-ups with abstract shapes.

I give a methodical account of my film work: the creation of new series (Lire, Trio, Avec Mariola), the shooting of a new feature film (Amours décolorées which will take ten years to edit) with Mariola San Martin.

Le Passeur immobile, which covers the year 1987, is a Booklet filmed stuck between The Days and the Nights (1986) and The Artifice and the Fake (1988). These Notebooks have been punctuating my activity as a filmmaker for about fifteen years. They are like a life parallel to my other films and film series (Cinema, Group Portrait, Read, etc.). They are also like a letter to the spectators.

“Les Malheurs de Marc Allégret” shows the ravages of time on the rushes of the unfinished film “Les Corsaires” which Marc Allégret began filming in 1940 and which was interrupted by the Second World War. By isolating and slowing down the most damaged parts of the French filmmaker's film rushes, I managed to create an object with abstract shapes and, insidiously, give another life to a major artistic work. - Gérard Courant

Every Good Friday, since 1980, I have filmed the reconstruction of the Stations of the Cross of the Passion of Christ in Burzet, in an isolated village in Ardèche, where the inhabitants, for seven centuries, have dressed up to celebrate and perpetuate this religious rite. . “Dis-nous ce que tu sais” is the report of the Good Friday ceremonial of the year 2023 in Burzet.

Gérard Courant's "Filmed Diary" of December 14, 2011, produced in Dubai (United Arab Emirates). Between December 7 and 15, 2011, Gérard Courant was invited by the Dubai International Film Festival, in the United Arab Emirates. It was an opportunity for him to film many "Cinematons" of personalities from the Arab world and to continue his "Film Notebooks" from which he brought back 7 episodes.

"Les Malheurs d'Yvan Noé" shows the ravages of time on the film A Death Without Importance that Yvan Noé shot in 1948. By isolating and slowing down the most damaged parts of the French filmmaker's film, I managed to create a object with abstract shapes and, insidiously, to give another life to an artistic work. - Gérard Courant

On 6 December 2013, a public exhibition dedicated to her memory, Bernadette Lafont l'exposition hommage, was held in Paris. Actors Stéphane Audran, Guillaume Gouix and Alexandra Stewart read some extracts of Bernard Bastide's new biography Bernadette Lafont, une vie de cinéma, including some original letters written by Bernadette. The event was filmed by Gérard Courant and aired as an episode of Carnets filmés, In Memoriam Bernadette Lafont.

The action of "Le Jour où la Terre s'éveilla" begins 4 billion 540 million years ago ... at the time of the formation of planet Earth. This formation lasted 20 million years. The film lasts 12 hours and is composed of 1,080,000 images. Each image of the film corresponds to 20 years of the life of the Earth. Every second of the film corresponds to 500 years of the life of the Earth.

One of Courant's many "Carnets filmés", filmed on November 7, 2021 in the botanical garden of l'Arquebuse in Dijon. The film is a slow exploration of this space, created in 1833 and rich in around 3,500 species of botanical plants.

Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)