Sergeant Kormas is investigating the murder of a colleague, unearthing a dirty conspiracy where organized crime and law enforcement are two sides of the same coin. Tough men, femme fatales, cheeky one-liners and a hero who becomes the victim of his own choices, i.e. all the basic noir ingredients, are present and accounted for
Two couples of different ages get involved with each other: the younger ones see the deadlocks of the older ones as a gloomy possibility, while the older ones are “renewed” but also immersed even deeper into their own deadlocks. Time does not go back, mistakes are not corrected, and relationships end up cannibalistic.
Following the mystery of their deaths, Father and Son are reunited in Tranzit, an arid and desolate non-place, a kind of contemporary Dantesque limbo regulated by abstract mathematical principles, where the dead face a dilemma: accept the dematerialization process or remain in indeterminacy forever. Here the memories of the Father, are confused with those of the Son, rekindling old conflicts. Trying to bring order to the past and shed light on what led to his death, the Father relies on his knowledge of mathematics to pursue a crazy idea: to come back to life.
