Theatre 1 (Observational Film Series #3) is a feature length documentary, which closely depicts the world of Oriza Hirata, Japan's leading playwright and director, and his theatrical company, Seinendan. By depicting them, the film leads the audience to revisit fundamental but timely questions: What is theatre? Why do human beings act?
Oriza Hirata is Japan's leading playwright and director, who runs his own theatrical company, Seinendan. Theatre 2 (Observational Film Series #4) examines the dynamic relationship between theatre and the society through depicting Hirata's activities. In order for his art and his not-so-commercial company to survive this highly capitalistic modern society, what kind of strategy does Hirata have and practice?
What is peace? What is coexistence? And what are the basis for them? PEACE is a visual-essay-like observational documentary, which contemplates these questions by observing the daily lives of people and cats in Okayama city, Japan, where life and death, acceptance and rejection are intermingled.
In response to the Fukushima disaster, Yama-san is running an election campaign with an anti-nuclear message. But unlike last time, he has no money, no machine, no nothing. Does he even stand a chance? On March 11, 2011, Japan experienced one of the most calamitous nuclear disasters in history. But in two national elections following the accident, the pro-nuclear Liberal Democratic Party (LDP) achieved landslide victories, gaining control of the two parliaments. Why? 'Campaign 2' by Kazuhiro Soda observes a small local election right after the disaster and gives insight into this difficult question, presenting a microcosm of Japan's political-psychological landscape.
An ample community of cats has set up home around the Shinto shrine in Ushimado. Some local residents take care of them, others are disturbed by their mess. Kazuhiro Soda observes their co-existence with kindness, precision and occasional involvement.
Wai-chan is one of the last remaining fishermen in Ushimado, a small village in Seto Inland Sea, Japan. At the age of 86, he still fishes alone on a small boat to make a living, dreaming about his retirement. Kumi-san is an 84 year old villager who wanders around the shore everyday. She believes a social welfare facility “stole” her disabled son to receive subsidy from the government. A “late - stage elderly” Koso-san runs a small seafood store left by her deceased husband. She sells fish to local villagers and provides leftovers to stray cats. Foresaken by the modernization of post-war Japan, the town Ushimado's rich, ancient culture and tight-knit community are on on the verge of disappearing.
In the Japanese town of Ushimado, the shortage of labor is a serious problem due to its population’s rapid decline. Traditionally, oyster shucking has been a job for local men and women, but for a few years now, some of the factories have had to use foreigners in order to keep functioning. Hirano oyster factory has never employed any outsiders but finally decides to bring in two workers from China. Will all the employees get along?
Late at night, a Japanese businessman enters a pizza shop and observes strange but typical New Yorkers, eating their pizza in their own queer ways. The businessman makes fun of them, believing he is the only one that is normal person there. However, it soon becomes apparent that he is no less strange than them.
Can a candidate with no political experience and no charisma win an election if he is backed by the political giant Prime Minister Koizumi and his Liberal Democratic Party? This cinema-verite documentary closely follows a heated election campaign in Kawasaki, Japan, revealing the true nature of "democracy."
Follow up to the director's previous two films called Mental, follows the retirement of the head physician at a mental health facility in Japan
MENTAL is a feature-length documentary that observes the complex world of an outpatient mental health clinic in Japan, interwoven with patients, doctors, staff, volunteers, and home-helpers, in cinema- verite style. The film breaks a major taboo against discussing mental illness prevalent in Japanese society, and captures the candid lives of people coping with suicidal tendencies, poverty, a sense of shame, apprehension, and fear of society.
