Pontificia Universidad Católica de Chile

A non-binary folk watches the handover of the first non-binary ID in the history of Chile. As they try to do the paperwork, they will face the bureaucracy of the legal proceeding.

To process grief, a young adult revisits fragments of their late grandmother’s life to restore the version of their own inner child when she still remembered them.

Being caught at school giving each other a hickey, Manu (14) and Toña (15) begin a journey of desire, guilt and goodbyes.

In a fishing village contaminated by a thermoelectric power plant, Mecha (33) is the grieving soul of an environmental activist who died under suspicious circumstances. The day after his death, she tries to reconcile with her son Juan (16) and to make him take charge of her memory.

Gabriel Borquéz, an adult man who lives alone in an isolated house, where he hides after shooting his little son in the woods. Guilt twists his reality, causing him to hallucinate and messing up events. His salvation is to leave his consciousness, represented as a hallway in his home. He fights against self-destructive situations that damage his physical body, but ultimately succumbs at the hands of a creation of his mind, a personification of death and himself.

Laura turns 21, but she is no more. Through a secret ritual, Violeta and her cousin Sofia (12) strive to communicate with her after her death. In her passage to adolescence, Violeta enters a world of goodbyes.

Short film that narrates in an educational way the processes of developing wicker and clay crafts. The film is based on the experience of a character who tells a story to his nephews. Work carried out as part of the documentary series "Andanzas de un Chileno".

José (81) and Luz (70) receive an offer for the sale of their house -a place where they have lived all their lives- and that they are not willing to accept. Both are faced with different situations in which it seems that making a decision is increasingly imminent.

It's June 24 and the people of Lawan, a Mapuche community in southern Chile, are planning a big celebration for Saint John's Eve. Despite this, Cheo a restless and misfit kid, is not happy because this means the return of his father to the community. He is a violent man who, when he drinks too much, vent his anger with his family, unleashing in Cheo strong desires for revenge.

Jorge, a 75-year-old retiree, spends his days watching television on the bed in which his wife died. His family tries to convince him to get the bed out of there, without receiving an answer from Jorge. Finally Jorge will embrace the most vulnerable side of him by deciding that they can take the bed.

Jaime, who’s been away from the city by his own free will, invites his family to watch an eclipse at his house on the mountains. The tensions in the group are apparent, but they slowly vanish, reaching the most transparent moment among the eclipse’s darkness.

Two women are traveling through a coast road, evading the pain left behind. The trip is interrupted when they see an old lady running at one side of the road, in front of the car. This encounter marks the beginning of the rest of their lives.

Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.

In a dystopian world, a creature attends a banquet organized by a magical refrigerator. Thus begins his unbridled descent into a spiral of consumption. Corrupted and turned into a beast, he faces a macabre end.

Free adaptation of the tale Mrs. Snow by the Grimm Brothers represented by children from the biggest illegal settlement of Santiago. An orphan must go rescue an embroidery when she is transported to the magical world of Mrs. Holle. The girl works for her for a while, shaking pillows and blankets to produce snow on Earth. After some time, the girl decides to return home and Mrs. Holle rewards her with gold. Arriving home, her stepsister imitates her in an attempt to get the same reward, but she behaves lazy and rude, which results in her being grounded. All roads lead to the common zone, but each reaps what it sows.

Photographer Patricio Guzmán Campos has died in exile. Silvia edited his retrospective book a few years ago and after learning about Patricio's death, she sits down to read again the letters he sent her, in which he reveals the feelings and reflections provoked by facing his photography during the process of making the book, where he sees a place that has been taken away from him, but which he tries to hold on to through his memories.