Fair Film

In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.

Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.

The myths of the sixties are satirized in 20 episodes.

During the Korean War, Joe Moran, is convicted for striking a colonel. Imprisoned in Germany he encounters his former company commander Captain Ross, jailed for black marketeering. Together with Ross' cohorts Joe agrees to escape with them, but things go wrong and a policeman is killed. An appalled Joe escapes by himself, abandoning the others, who are recaptured. Years later Joe has a boat rental business where he is found by Ross. Now a wanted drug smuggler he wants the use of Joe's boats and to ensure his cooperation, they kidnap his wife and daughter.

A group of rogues steal a scroll granting its bearer the property of the land of Aurocastro in Apulia, a province in the south of Italy. They elect a shaggy knight, Brancaleone from Norcia, as their leader, and decide to get possession of this supposedly wealthy land. Many adventures will occurr during the journey.

After saving an infant of royal blood, knight Brancaleone forms a new army and sets out to return the baby to his father: a prince fighting in the Crusades.

La Califfa's husband was killed during the strikes so she takes the side of the strikers. Her conflict with the plant owner Doverdo gradually turns into a love relationship.

March on Rome (Italian: La marcia su Roma) is a 1962 comedy film by Dino Risi with Vittorio Gassman and Ugo Tognazzi, aimed at describing the March on Rome of Benito Mussolini's black shirts from the point of view of two newly recruited, naïve black shirts

Enrichetta, a young peasant girl who lives in a little village, joins Silver Boy as a dancer.

In this comedy, a guru’s groupie plans to seduce him so she can number him among her many conquests.

A middle-aged businessman finds himself in thirst for romance adventure, and it seems that a proper partner is not far away.

Two devils from Hell are sent to Earth to cause trouble. Belfagor and his faithful sidekick Adramalek must start a war between Rome and Florence in 1478.

A mute gunslinger takes on an oppressive landlord in 19th century Valencia and falls in love with a local woman.

To get her husband more interested in her, the wife invents a lover. The husband will collect every hint trying to figure out who is the lover.

An italian film producer travels to Argentina with part of the crew to a Film Festival contest.

A crooked detective begins investigating a situation on behalf of a friend and gets involved in murder, deception and double-cross.

Vittorio Gassman stars as different characters in each of the nine episodes of this unusual Italian comedy. Playing everything from a practical joker to a prisoner, he comments upon romance, love and women in general.

Arrested on suspicion of a hit and run, a succesful architect is put in prison awaiting trial or release. Whilst there he witnesses the grim reality of life behind bars: corrupt staff, corrupt inmates, an inhuman judicial system and the power of the Mafia.

Young Prince Vincenzo Gonzaga, rejects his first wife Margherita Farnese, obtaining the annulment of the union and, at the same time, raising strong doubts about her virginity

In the beginning of the 20th. century Italian actor Guido Guidi, more enthusiastic than talented, and his ensemble tour Texas. The mysterious and obviously rich Peppino Garibaldi gives them an offer, they can’t deny: For a large amount of dough they should play “Richard III.” in the Mexican town Vera Cruz. But Peppino is not really interested in cultural affairs: He supports “La Revolución” and “General” Carasco, who utilizes the feastful premiere of “Richard III.” to raid Vera Cruz for Comandante Zapata. But shortly after the Mexican Army shows up with some canons in tow to sort things out. Guidi and Padre Albino, Italian like him, succeed to flee and save Carasco accidentially from the firing squad. Whereas the latter coninues his revolutionary fight, Guidi and Albino start an odyssey through the struggling Mexico, which lets them fall one time in the hands of Carasco the other time in those of Herrera or even in the clutches of “hand-taking” bandidos.