The Island Princess

The Island Princess 1954

4.50

1470. The Canary Islands try to resist the Spanish invaders. Their inhabitants are divided, their chief and his daughter Guayarmina (for whom a Spanish officer has fallen in love) wanting the peace, while the priest and resistance leader are for war. After several battles the islanders are chased to Tirma mountain by the Spanish army.

1954

La paz empieza nunca

La paz empieza nunca 1960

5.30

Inspired by the classic novel by journalist and writer Emilio Romero. Shortly before the outbreak of the Spanish Civil War (1936-1939), a group of Phalangist friends, who dream of a revolution to transform Spain, are dedicated to spreading their ideas among the population. As war begins, one of them, Lopez, is about to be shot, but is saved by a Republican. Then he joins the national side. After the war, an old comrade encourages him to involve in an operation to destroy the maquis of Asturias. Although he is married and has children, he accepts the proposal, infiltrates among the guerrillas and convinces them that he will provide weapons to continue fighting.

1960

Nothing

Nothing 1947

5.60

Barcelona, in the forties. Young Andrea comes to town to start college in the midst of an oppressive environment and extreme poverty. She's staying at her aunt Angustias, along with other family members. But the quarrels between them are continuous, making evident the open wounds left by the Spanish civil war.

1947

La vida empieza a medianoche

La vida empieza a medianoche 1944

6.00

Silvia Heredia, since her arrival to Madrid is staying at her best friends' house, Mary. Her aim is to work as a secretary of a famous novelist. But at night the house is full of people and they confuse her with the owner of the floor. A series of misunderstandings makes her meet Ricardo Ariaga, the musician whose opera "Life begins at midnight" is about to debut. Ricardo convinces Sylvia to act as his wife. With a "rented" child they try to be the perfect family of a lonely old man.

1944

Autumn Roses

Autumn Roses 1943

1

Isabel and Gonzalo, a marriage of high society, see how their happiness is endangered due to the frequent love affairs of the husband, that will eventually lead them to interact with a pair of cynical thieves dedicated to blackmail Isabel and to defraud Gonzalo in his business

1943

Ella, él y sus millones

Ella, él y sus millones 1944

5.50

Arturo Salazar is a powerful businessman who wants to be related to the nobility, so he asks an aristocratic friend to find him a blue-blooded bride.

1944

Pride

Pride 1955

6.30

A tale of two families, the Mendozas and Alzagas, faced for generations by the water of a river separating their adjoining properties. Old grudges reappear when the two heirs fall in love.

1955

La verbena de la Paloma

La verbena de la Paloma 1935

5.20

A young printer's relationship with his girlfriend is in trouble after she accepts another suitor's invitation to the fair. This adaption of a popular operetta aims to please with a simple storyline and goofy slapstick.

1935

Torbellino

Torbellino 1941

1

Carmen, a young Sevillian woman who wants to succeed on the radio, arrives at a decrepit station that goes through bad times. Thanks to her, the radio station will get a much quoted prize.

1941

Dawn of America

Dawn of America 1951

5.00

Kingdom of Castile, the late fifteenth century. The film chronicles the events that Cristóbal Colón lived (Antonio Vilar) from their stay in the Convent of La Rabida, his meeting with the Catholic Monarchs and, above all, the great odyssey that led to cross the Atlantic and reach the shores of America (1492), thus beginning a new era in the history of mankind.

1951

Cristo

Cristo 1954

1

Cristo is the first feature film directed and produced by Margarita Alexandre and Rafael Torrecilla. Evoking the work of Luciano Emmer, this art documentary tells the story of the life of Jesus using only Spanish paintings. In close harmony with the montage, the photographic technique used by Juan Mariné for the filming gives movement to the paintings by Titian, El Greco and Rubens, while the presence of the voices of Fernando Rey, José María Seoane, María Jesús Valdés and other actors of the period give the characters a sense of entity. The film received the category of National Interest from the Censorship Board, undoubtedly more inspired by the film’s exaltation of the national artistic heritage and its religious subject matter than by its artistic aspirations.

1954

Der Löwe von Babylon

Der Löwe von Babylon 1959

6.00

In the ruins of Nim Bis Rub, in Babylon, is a band of smugglers den. There goes Nemsi Kara Ben and his faithful friend. One night, while camping, they surprise three smugglers and, after a hard-fought struggle, manage to reduce them and take possession of the rings that are their trademark. Then they go to Baghdad and there, a character who wears a ring of smugglers, which has seen Kara's, confuses him with one of the band.

1959

La princesa de los Ursinos

La princesa de los Ursinos 1947

5.00

The story of the Countess d'Orsini, French noblewoman and courtesan at the court of the Spanish king, who acted as an agent for the King of France and was one of the most powerful people at the Spanish court.

1947

La duquesa de Benamejí

La duquesa de Benamejí 1949

5.00

Bandits in Sierra Morena assault the carriage in which the Duchess of Benamejí travels. A romance starts between her and the boss of the gang, Lorenzo, that arouses the jealousy of Rocio a gypsy who lives with the bandits. Meanwhile, the Marquis of Peñaflores, a captain in love with his cousin the Duchess, chases the bandits. Rocío reveals to the Marquis where Lorenzo and his men are and taking advantage of the tumult of the fight, she kills the Duchess. Her death will cause a change in attitude both Lorenzo and Peñaflores

1949

El hombre de los muñecos

El hombre de los muñecos 1943

7.50

A son of the Marquise of Seven Almenas is robbed by a crook and deposited in Melchor's house, who sells dolls in the street. The administrator of the Marquise discover the whereabouts of the child and goes to pick him up, but Melchior gives him one of his children, thinking that will ensure the future. Over the years, Melchior, widower, enters as a steward in the house of the marquise where the alleged 'marquis' live splendidly.

1943