Long ago in the Iron Age, a shadow loomed over a lonely village. For generations, the village youths are stolen from their families and delivered as sacrifice to a mythical beast - the Minotaur, that dwells beneath a great palace. Theo, haunted by the loss of his love in an earlier sacrifice is convinced that the beast isn't real and that his girl still lives as a slave within the palace.
A talented art student named Angélique is passionately in love with Dr. Loïc Le Garrec, a handsome married man whom she believes will leave his wife. When he eventually decides to stay in his marriage, it causes Angélique to spiral. However, as the story shifts from Angélique's perspective to Loïc's, the surprising truth about their relationship is revealed.
Charlotte Castang is a working-class 13-year-old girl, who lives in a drab, run-down neighbourhood, and is ready to become an adult. Her mother died giving birth to her, and she lives with her crass brother and a father whose attention is elsewhere. Her only friend is Lulu, a sick 10-year-old she regards as a pest. Charlotte is antisocial, bored and dreams of a better life. Her life improves when she meets Clara Bauman, a pianist prodigy.
Three siblings who detest each other and hiking must complete together a pilgrimage to Santiago de Compostela in order to be eligible to inherit their mother's wealth.
Tanguy is 28 years old and still living with his parents. They think it's time he moves out. He doesn't, so they hatch a plan.
Tatie Danielle is a black comedy about a widow who is intent on ruining the lives of her great-nephew and his wife. Tsilla Chelton plays the title character, who mourns the death of her husband by tormenting everyone she meets. Eventually, she moves in with her nephew and his vain wife. Soon, her family is at war with Tatie, and takes off for Greece, leaving her in the care of Sandrine (Isabelle Nanty), an au pair who is as equally bitter as Tatie herself. At first the two don't get along, yet the two eventually become friends. However, Sandrine is invited to accompany an American student for an overnight stay at the beach, which would leave Tatie alone for a night. Angered, Tatie fires Sandrine, and while she is alone, she goes into deep depression, eventually setting the family's apartment on fire. The fire becomes a national story, with Tatie cast as a poor old lady and the family labeled as cruel and heartless villains.
Beaumarchais the Scoundrel is a biopic film based on the life of the French playwright, financier and spy Pierre Beaumarchais depicting his activities during the American War of Independence and his authorship of the Figaro trilogy of plays.
An unlikely friendship develops between a hitman and a suicidal guy who have both checked into the same hotel for different reasons.
If he buys a gun, visits his wife's lover, and ends up savagely biting his dentist, Samuel Polaris is in bad shape. Very bad. Unless the others, the “normal” people – with their career plans, their adulteries, their arrogant incompetence – have fallen into a sort of collective madness. Who knows. Because he has no choice, because he is in love with his wife and because he refuses to resign himself to the worst, Samuel Polaris decides to regain his dignity. Even if, to do this, he has to steal from his psychiatrist the watch that Kennedy was wearing the day he was assassinated.
Christel and Christoph have no education, no morals - they are working as servants in wealthy homes in order to clean out their hosts. Having decided to combine their talents and efforts, they are starting to work in the the house of Therions - wealthy bourgeoisie of Mulhouse...
In the summer holidays, a group of women stay behind in Paris whilst their husbands and children take a vacation on the sunny Island of Ré. The women – wives, frustrated spinsters and adolescents – profit from their new-found freedom to sort out their love lives and the men indulge their earthy passions with no less enthusiasm. Only the children seems capable of rising above this infantile summer madness...
In a train compartment, 6 people who do not know each other tell the story of their troubles in love. Only one of those seems to be a positive one.
Le Cou de la girafe (The Giraffe's Neck) is a 2004 French/Belgian film directed by Safy Nebbou.
A naive French reporter is sent to an African town to cover a sensational news story, unaware that it has been faked by an international news giant in the hopes of getting the US president re-elected for a third term.
A 100-year-old family feud in Albania continues to target men for vengeful execution in this somber drama.
