KRO-NCRV

The Black Widow is not dead ... Drug Queen Carmen van Walraven is hiding in Canada and leads an anonymous life there. One evening a colleague is harassed and Carmen helps her. In self-defense, she kills the perpetrator, is arrested and extradited to the Netherlands. While her children are in shock that their mother is still alive, there are also some people who still have to settle something with Carmen. Everyone is again dragged into an emotional rollercoaster. Carmen will now have deal with her past to save her family.

Two former lovers find themselves struggling for shared closure as one of them prepares to stage a play about the unspeakable tragedy that tore them apart decades ago.

How does it feel to be forgotten by the world? A powerful collective cry denouncing the crimes of the military dictatorship installed in Myanmar after the coup perpetrated on February 1, 2021: cinema and imagination against horror and in defense of freedom.

A psychological thriller inspired by the life of Michael S., a small-town boy from Holland, who becomes the world's most wanted cybercriminal.

A Dutch TV journalist finds himself challenging the police, courts and media as he attempts to uncover the truth about the controversial 1999 Deventer murder case.

This moving documentary tells the story of Daan, a cheerful and talented boy who left life at the age of sixteen after a school career in which he was systematically excluded. Former classmates organize a reunion to investigate how things got to this point. They discover that many other students also felt unsafe in the classroom. Meanwhile, Daan's sister Julia, who, like Daan, loves theater, is working on her self-confidence. And Daan's group of friends, where he could finally be himself, looks back on the time they spent with him.

The harried manager of a rundown RV park gets pulled into chaos after a troubled former child star arrives with problems in tow.

In a dystopian 2054, three young rebels go on a journey to find traces of the long lost beauty of nature, hoping to discover what happened to their planet.

Janneke has been working as a volunteer in palliative terminal care for over twenty years, both in the hospice and in people's homes. In The Night Watchman we see Janneke both in her daily life and while waking. Scenes in which surprising parallels and paradoxes show Janneke's position in her life and how they seem to embrace death at first sight.

In 2022, 92% of those affected encountered aggression or violence. Frans Bromet portrays six influences who encounter violence while carrying out their work. The violence with which the actual consequences are, leaves personal physical, especially mental, traces.

Shadow Game is an experimentally filmed account of the far-reaching consequences of European asylum policy. Now fences have gone up all over Europe, seeking asylum has become almost impossible. The teenagers cross snowy landscapes and meet aggressive border police on their way. Reaching their final destination has become more difficult than ever. Their journey takes them through the whole of Europe: from Greece to North Macedonia, Serbia and Bosnia and Herzegovina, from Italy to France and The Netherlands. The film was shot over a period of three years, partly by the main characters themselves on their phones.

Three young people look back on their plague past and the dark valley in which they ended up. They dare to talk openly about how they found the resilience to turn their lives around.

Lieke, Marieke van der Winden's mother, was closed, insecure and fragile. After she died of cancer at the age of 48, Van der Winden was approached at the funeral by Lieke's foster brother. She learns that her grandfather and grandmother – of whom she has wonderful memories – were wrong in the Second World War. This fact, which had played an enormous role in Lieke's life, had been kept secret for decades. Only thirty years after that revelation Van der Winden dares to delve into her mother's history. In conversations with family and friends, she gains a whole new perspective on Lieke and on her own childhood. And when she searches the archives for her grandparents' activities during the war, the shocking revelations pile up – with major emotional consequences.

In this debut film, shaped as an absurdist mockumentary, Yara’s obsession with the famous stage and movie actor Maarten Heijmans takes serious forms. She is disappointed in her life as a grown-up and hopes to be seen and recognised by someone who is more successful, attractive and charismatic than she is. If he reciprocated her love, this would solve all her problems, she believes. But how will he react to her ultimate attempt to get in touch with him? And what does Heijmans think of the filmmakers who follow her in the process?

“Job is 2 meters tall and has been my baby for 58 years. I will continue to care for him as long as I can,” says 91-year-old Tineke about her severely disabled adult son. But how long can she keep that up and who needs who: Job Tineke or Tineke Job? A documentary about the limits of motherhood.

In this tragicomedy, three adult sisters and their brother come to the farm of their estranged, deceased mother to divide the inheritance. To their surprise, that includes a flock of sheep. The sisters and brother have drifted apart but it turns out that too is part of their mother's legacy.

Five people talk about how easy it is to build up and how difficult it is to get out of it again. They fall ten prey to the powerful industry. Fines and extra costs make them so aware that they can no longer be solved on their own.

At the end of the 1960s, Vanesa’s parents fled the Franco-regime’s deep poverty to pursue their dream in the Netherlands. Working their blue-collar jobs for hours and hours, for over 45 years, their purpose was to return to Spain wealthy and comfortable. There, in a house full of Dutch porcelain and shiny gold, they can now finally rest. Vanesa was raised as Dutch, but still feels trapped in their expectant illusion, even with the distance between them. Torn between two homes, she starts to re-examine her past.

In southern Italy, stateless migrants pick the tomatoes the rest of the world will taste. But what about these workers’ European dreams? Will they be ground to a pulp? Our canned tomatoes are picked by migrant workers who have come to southern Italy to realise their dream of Europe. However, they never get beyond the tomato fields. This documentary shows how the tomato broaches a broader issue. Will the pickers keep believing in their dream, or fight against a Europe where others reap the sweet rewards of their disillusion?