Derek Deane’s Swan Lake in-the-round caused a sensation at its premiere in 1997, and has since been enjoyed by over 500,000 people worldwide. With 60 swans, stunning costumes and atmospheric lighting, this breathtaking in-the-round production transforms the Royal Albert Hall into a magical lake.
On a remote Arctic research station, a captive creature (played by the English National Ballet’s charismatic principal dancer Jeffrey Cirio) is unwittingly enlisted into a military program that subjects him to sinister experiments. Amid this turmoil, he finds himself enamoured with a cleaner, the only person who shows him kindness; together, these two outsiders dream of escape from their dystopian surrounds.
Shakespeare's heartbreaking tale, Nureyev's blazing ballet. Sumptuous costumes and sets transport you to Renaissance Verona, its piazza bustling with market traders, street entertainers and the restless factions of the Capulet and Montague families. Amidst the grandeur of the Capulet’s ball, our star-crossed lovers – Alina Cojocaru and Isaac Hernández – meet, unleashing a fateful sequence of events, from the romantic bedroom scene to their tragic final embrace.
Tamara Rojo, dancer and artistic director of English National Ballet, explores Giselle - the first great Romantic ballet, and a defining role for any ballerina. Through two radically contrasting 2016 productions - a traditional 19th-century recreation, and a gritty reimagining of the work by celebrated Anglo-Bangladeshi choreographer Akram Khan - Rojo examines the cultural and social background to the ballet’s genesis in 1840s Paris, and the spiritual themes that have fuelled its success over the last 175 years. Giselle is the story of a young peasant girl who personifies all that is good in life, and ultimately forgives the aristocrat who has seduced and betrayed her. With Giselle, the look and emotional heart of ballet was transformed forever, from mime-based storytelling to a fusion of emotion, music and movement, formulating a tradition that has inspired audiences, dancers and choreographers ever since.
Hailed as a masterpiece of 21st century dance, Akram Khan’s Giselle comes to cinemas for the first time with Artistic Director, Tamara Rojo, dancing the role of Giselle, one of a community of migrant workers cast out of their jobs in a condemned garment factory. The classic story of love, betrayal and redemption has been reimagined in this stunning new version, with sets and costumes by Academy-Award winning designer Tim Yip (Crouching Tiger Hidden Dragon), an ‘ominous, gothic’ (The Observer) adaptation of Adolphe Adam’s original score by composer Vincenzo Lamagna and performed by English National Ballet Philharmonic, dramaturgy from Ruth Little and lighting design from Tony Award-winner Mark Henderson. Filmed live at the Liverpool Empire in October 2017, Akram Khan’s Giselle is directed for the screen by Ross MacGibbon.
Nora is married to Torvald. On the surface, they are a happy couple. Without telling him, a few years ago she took out a loan with Krogstad. Torvald had fallen ill, and their family needed the money so he could travel and recuperate in a better climate. Nora has been hiding this secret ever since. When this decision catches up with her (through blackmail from Krogstad), it reveals a new side to her husband. Nora sees their relationship crumble and her illusions shatter – leading to a life-changing decision.
English National Ballet has been performing a version of Nutcracker every year since 1950. In 2020, the tradition lives on. Join Clara and her enchanted Nutcracker on a hot air balloon ride to the Land of Snow, and enjoy iconic scenes featuring the Sugar Plum Fairy, Snowflakes, Flowers and more. As London moved into Tier 4 COVID-19 restrictions with the subsequent cancellation of all scheduled performances of Nutcracker Delights, the Company decided to film and share a recording of this specially-adapted production with its audience as a thank you at the close of its 70th Anniversary year. Nutcracker Delights was filmed on 18 and 19 December at the London Coliseum by Michael Nunn and William Trevitt.
