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The Story of Qin Xiang-Lian is a Hong Kong Chinese Opera musical starring Jackie Chan in a child role.

Wang Xinglian returns from her studies in Japan to visit her father in Hong Kong where she has an encounter with the young Japanese Hasegawa Toru. The two meet again and fall in love in Hokkaido when Wang and her best friend Sugimoto Kanako are going on a holiday. Urged by her friend Zhang Yingming to concentrate on her studies, Wang remains ambivalent about the relationship, and is even more upset to realise that Sugimoto is in love with her fellow countryman. Feigning an engagement with Zhang, Wang initiates a break-up with Hasegawa and finds work in Singapore after graduation. Hasegawa learns the real cause of the break-up from Sugimoto in Hong Kong. A frenzy search finally leads to a reunion and a proposal in Kuala Lumpur. However, their love is doomed by a twist of fate as Wang must leave to see her desperately ill father in Hong Kong while Hasegawa has to leave for America to pursue his career.

Adapted from one of China's most well-known fairy tales, the Goddess of Mount Hua falls in love with a young mortal scholar Liu Yanchang and gives birth to a baby son, Chenxiang. When Chenxiang grows up, he seeks to unravel the mystery surrounding his mother whom he has never met.

Vagabond singer Ali is embroiled in a dispute over love and is compelled to return to his own country. Ali is mistaken for the future queen's consort and chances to meet her majesty Law Yee. Law falls head over heels for Ali and they get married not long after. However, Ali finds royal formalities unbearable and decides to run away from the palace. Disregarding all rules, Law follows her man to wherever he goes.

Han Xiangying temporarily resides at her classmate Fan Daini's resplendent mansion. Mrs Fan eggs her on to attend a party at which she is raped by a rich businessman. It turns out that Mrs Fan is in fact a procuress exerting control over her three daughters of the ruined family. Han manages to escape the clutches of Mrs Fan with the assistance of the honest young man Gong Liqun.

Sojourning in Macau, Su Erning by chance helps Pan Meiniang resuscitate his younger brother and fends off the thug. In her admiration, Pan calls off the engagement arranged by her mother to exchange vows with Su despite having known him for only three days. To raise the money for the wedding, Su plans to sell his family yacht to the rich wife of his classmate Lu Zuhua in Hong Kong and promises to buy Pan a pearl necklace. The promiscuous Mrs Lu seduces Su on the yacht and then dumps him. 18 years later, Pan's daughter is getting married. Su prepares a wedding gift—a stolen pearl necklace—for the bride but is too ashamed to show himself.

Romantic melodrama set in contemporary Hong Kong, Japan and Laos. Hiroshi Tanaka (Takarada) is a Japanese journalist on assignment in Hong Kong who meets and falls in love with Wu Li Hung (Ming). He proposes to Wu Li but she rejects him because of her distaste for mixed marriages (her mother was Japanese but deserted her family and returned to Japan during WWII). Tanaka locates Wu Li’s mother and unsuccessfully tries to reunite them, but eventually Wu Li accepts his proposal. A joyous Tanaka flies off to Laos to finish an assignment but on the eve of his wedding he is killed there.

A Hong Kong historical drama

Hong Kong drama directed by Wong Tin-Lam.

Yeh Wei-fang, a rich young lady, flirts with her suitors and hopes it would make Shi Rongsheng, the cousin she loves, angry. But Rongsheng doesn’t pay attention to that, and lectures her for lacking self-respect. Tao Wen-ping, Rongsheng's friend, gets to know Wei-fang. He invites her to go to the resort house borrowed from Rongsheng, but is fooled by her. Wen-ping gets to know Fang's sister, Wei-ling, by chance. Sharing common interests, Wei-ling grows a secret love for him. Wei-fang's home has a JP’s son as a guest. Rongsheng invites Wen-ping to join. Wei-fang knows that Wei-ling likes Wen-ping, but she shows intimacy towards him. Another guest, the antiquary Prof Ho Chi-hua, arrives, he is infatuated with Wei-fang. Wei-fang shows zeal for both, who in the end quarrel and fight. Wei-fang finally declares her love for Rongsheng under the pressure from Wen-ping and Chi-hua, who had a fight over her. Rongsheng's evasiveness proves weak for Wei-fang's quest for his love.

Singaporean diva Li Ailian has arrived in Hong Kong to further her singing career. Xu Zhaofeng helps her land a job at Spring Wind Palace. Provoked by jealousy, Xu's long-time girlfriend Tao Haiyin, a local diva, insists on performing at the Palace, too. And when two divas strut their stuff, it's great tunes and hot action. Haiyin's brother Zhengsheng, the bandleader, has fallen out with his sister due to his infatuation with Li. Li misunderstands Zhengsheng's intentions initially but his devotion speaks volumes. Haiyin and Xu also reconcile.

Lau Ching-yee sets out to investigate the raid on her uncle's consignment of silver when she stumbles upon two suspects, the stately Cheung Ting-yu and his attendant Mang Leung. Cheung makes the acquaintance of the knight-errant Poon Mo, who is recruiting allies to join the band of martial adepts against Tsak Sing-tau in the ring to win 20 chests of jewels for the poor. Failing to pressure Cheung to turn over the silver, Lau engages him in a fierce fight until the respected elder Moh Oh-ming intercepts and settles the dispute. Who is behind these strange events?

A HK comedy film starring Jeanette Lin Tsui and Hung Yeung.

FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.

A young woman in search of a lost identity, her long lost mother who abandoned her soon after her birth.

This is the story of three ladies who live together in an apartment in Hong Kong and what happens to them. First, there is Shuxian, whose husband left her and has a son in the hospital who can't walk. Then, there is Meifen, a romance novelist who pines for a deceased lover and, finally Manli, a young lady with some sass who is expecting a visit from Mr. Zheng, a man she has been a pen pal with for a year. She also has been dating someone else, not happily. The film goes through all three lives.

To marry her fiance Dong Jifang, Wang Danlin and her father Zhuoran take the cruise home to Hong Kong. The daughter fails to see eye to eye with her father who covets after Dong's money for speculation. On the ship, she suffers intensive courtship from the Filipino Chinese Lin Yamang. Meanwhile, Dong is eager to match his old frame Bai Jin with the sailor Mai Qin, but Mai mistakes Danlin for Bai and falls in love with her, resulting in a morass of troubles. Finding out Dong's affair with Bai, Danlin calls off the wedding in anger. Dong responds by deciding to marry Jin. Their nuptials are saved with the timely intervention of Mai.

Grace Chang delivers an eye-opening performance as a lusty nightclub singer climbing the social ladder in seedy Wanchai. Borrowing story and song elements from Georges Bizet’s CARMEN, this Wong Tin-Lam directed musical has flair and polish to rival Hollywood, and a superstar leading lady that would any film industry would have a tough time matching! A key film from the celebrated Cathay Film Studios.

Musician Sun Ping is estranged from his wife. Second daughter Yinzheng lives with Sun while eldest daughter Jinliu follows her mother. By coincidence, the sisters both enter the 'Calendar Girl' pageant but Jinliu deliberately lets her sister win the contest. Later, the sisters and Liu Bucheng perform in Sun's musical show. Though the show is a success, Yinzheng decides to quit in order to get married. Not wishing to disappoint their father, Jinliu devises a plan to make Yinzheng stay on, but the plan misfires. Yinzheng leaves angrily. She is at last brought back to the show due to Liu's mediation. The elders also reconcile as the sisters perform together on stage.