The Vitaphone Corporation

The Biblical story of Noah and the Great Flood, with a parallel story of soldiers in the First World War.

The disappearance of people and corpses leads a reporter to a wax museum and a sinister sculptor.

Two young Chicago hoodlums, Tom Powers and Matt Doyle, rise up from their poverty-stricken slum life to become petty thieves, bootleggers and cold-blooded killers. But with street notoriety and newfound wealth, the duo feels the heat from the cops and rival gangsters both. Despite his ruthless criminal reputation, Tom tries to remain connected to his family, however, gang warfare and the need for revenge eventually pull him away.

Lora Hart manages to land a job in a hospital as a trainee nurse. Upon completion of her training she goes to work as a night nurse for two small children who seem to be very sick, though something much more sinister is going on.

W.C.Fields enters the Warmer Bros. Studio. Beans tries to drive in, but the guard throws him and his car against a tree. Charlie Chaplin drives in, followed by Oliver Hardy on foot - but we see that it's really Beans in disguise. Oliver Owl is directing a picture; Beans sneaks onto the stage. He's watching from a catwalk when someone knocks him off, into the middle of the scene. Beans is thrown off the set, right into the set of a Frankenstein movie. He accidentally brings the robotic monster to life, and it crashes into the original studio, eating the camera. Beans tries to stop the monster, but is sent flying. He lands against a wind machine. which chops up the monster.

Two brothers' trip to the big city to do a little gambling results in a fateful turn of events.

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.

An ultra-efficient Plain Jane secretary blossoms when she accompanies her boss on a business trip to Paris.

Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!

During the Great Depression, all Broadway shows are closed down. A group of desperate unemployed showgirls find hope when a wealthy songwriter invests in a musical starring them, against the wishes of his high society brother. Thus start Carol, Trixie and Polly's schemes to bilk his money and keep the show going.

A terminally ill woman and a debonair murderer facing execution meet and fall in love on a trans-Pacific crossing, each without knowing the other's secret.

Porky and Beans are prospectors during the Gold Rush, but when a villain steals Porky's bag of loot Beans races to get it back so he can marry Porky's daughter Little Kitty.

A World War I veteran’s dreams of becoming a master architect evaporate in the cold light of economic realities. Things get even worse when he’s falsely convicted of a crime and sent to work on a chain gang.

When Georgiana Summers learns that the woman who stole and married her husband is planning a romantic tryst with a new love, she hatches a giddy plot to expose the rendezvous and pay her back.

This short shows the entrances of the various Hollywood studios, then specifically visits Warner Bros. / First National Studios. We start at the casting office, then see Busby Berkeley and choreographer Bobby Connolly working with chorus girls on production numbers. Then come some candid shots of several contract stars. Finally we see comedian Hugh Herbert filming a scene for an upcoming release, then the various behind the scenes steps that transition the raw film in the camera into the finished product.

A very young Joan Bennett tops the cast as Nan Sheffield, the daughter of a college president. The nominal leading man is Tommy Nelson, the black-sheep son of a wealthy alumnus. Though Nelson is an ace football player, President Sheffield refuses to enroll the boy because of his bad reputation, whereupon Tommy's father withdraws his financial backing and bars his son from ever setting foot on Sheffield's campus. Falling in love with Nan, Tommy signs up with the college under an assumed name, giving up his wastrel ways to lead the football team to victory. Joe E. Brown steals the show as Speed Hanson, a goofy gridiron star who emits a loud and long yell whenever scoring a touchdown (this was, in fact, the first film in which Brown's famous "Yeeeeowww" was heard -- but certainly not the last).

When retired racket boss John Sarto tries to reclaim his place and former friends try to kill him, he finds solace in a monastery and reinvents himself as a pious monk.

A woman doctor decides to have a baby without benefit of marriage.

Searching for headlines at any cost, an unscrupulous newspaper owner forces his editor to print a serial based on a past murder, tormenting a woman involved.

An architect has an affair with a woman who inspires him. Her brother is in love with the architect's daughter. The complicated entanglement leads to misunderstanding and dissolution, but ultimately love.