Citizen Film

Moscow, January 1948. In the bitter cold, a large crowd attends the State Funeral of the Yiddish actor and director Solomon Mikhoels. An official proclamation mourns the death of "a great People's Artist of the Soviet Union." What people are really mourning is the death of the most popular Jewish theater in the Soviet Union, and the man who kept it alive against all odds for over 20 years. No doubt many suspected the truth: he had just been assassinated by Stalin's secret police.

Ian James has been creating leather goods for nearly a decade, but only recently realized his dream of opening his own shop. When James got laid off during the COVID-19 pandemic, he took the plunge and opened his namesake boutique in San Francisco. James calls the shop—which includes both custom pieces and items that can be bought off the shelf—a “safe space for black people,” where culturally relatable creativity blooms in a gentrifying neighborhood.

This short film reveals the inspiration, motivation and political challenges at San Francisco City Hall during the frantic days leading up to the first government-sanctioned same-sex marriage.

CHOOSING CHILDREN is a pioneering film about parenting in non-traditional families and helped to open dialogue about the meaning and reality of the "modern family." This film takes an intimate look at the issues faced by lesbians and gay men who decide to become parents after coming out.

A Foot in the Door tells the story of Kindergarten to College (K2C), the first universal children’s savings account program in the United States. Launched by the City and County of San Francisco, the program automatically provides a college savings account to children when they start kindergarten.

Join former Secretary of State Condoleezza Rice, historian David Kennedy and a diverse group of Americans to explore whether a unifying set of beliefs, an American creed, can prove more powerful than the issues that divide us.

Afatasi The Artist is a San Francisco based mixed-media conceptual artist and futurist. Her artwork—which includes textiles and fine art tapestry, small paintings and murals, metal work and clothing design—is a continuous exploration of the intersectionality of race, culture, gender, class, and geopolitics. “I like to create these things because there were so many who weren’t allowed to live this loudly,” Afatasi says, "and I know how much better the world would be if they had.”

Chris Renfro doesn’t just grow and harvest grapes on a hillside high above San Francisco’s Highway 280 to make delicious local wine. He is dedicated to building a sustainable food community that nourishes every member of the local economy and ecosystem. With the 280 Project’s mission to reclaim space, realize opportunity and revitalize community, Renfro brings both passion and vision to the notion that land ownership is a powerful path to self-determination.

Meet the residents and workers of The Arc SF, the Bay Area’s largest learning and resource center for individuals with developmental disabilities and Citizen Film’s newest partners. Even during the ongoing pandemic, The Arc SF remains dedicated to their mission of empowering their clients to live lives with dignity, self-determination, and independence. We’ll be documenting those efforts, from work training sessions to community events, in our new series of shorts

The groundbreaking film that addresses anti-gay prejudice by providing adults with practical lessons on how to talk with children about lesbian, gay, bisexual, and transgendered people. Part of The Respect for All Project.

Wired for What? visits four very different elementary schools grappling with computerization to find out if technology is helping to change our schools for the better or if it is dulling students’ creativity and draining precious resources from other crucial educational needs.

Under Their Skin: Tattoos of Memory and Resilience is a character-driven film featuring grandchildren of survivors (3Gs) who have made the controversial decision to tattoo their grandparents’ concentration camp numbers on their own bodies. The film follows subjects as they navigate personal relationships and public interactions that alternately celebrate and challenge their decision—and raise questions about the reenactment of trauma, and the act of transforming that trauma into healing. In interweaving storylines, we will meet 3Gs whose stories reveal that historical remembrance is an essential part of engaging with social issues and the rise of hate and intolerance today.

"Throwing Curves" uses striking archival images, observational footage of the 97-year old industrial designer, Eva Zeisel, who is still an artist at work. this along with engaging interviews to capture her personality which is as daring and persuasive as her designs.

In 2002, Sophie Constantinou interviewed Ron Padgett, Connie Lewellyn and Kenward Elmslie and recorded their recollections of Joe Brainard’s life, including his longtime partnership with Elmslie, and his works, including his noted garden collages. These moments were captured as part a series of short films catalyzed by Elmslie. Elmslie’s vision was to illustrate the artistic spirit of and collaborations among American writers, poets and artists from the late 50s to today.

When filmmaker Debra Chasnoff faces stage-4 cancer, she turns her lens on herself and the disease. What emerges is a portrait of her extended LGBTQ family —a story about hanging on while letting go.

Rita Semel, interfaith pioneer and Jewish activist, is a recipient of the San Francisco Foundation Community Leadership Awards "for her life-long successes in creating healthy, just, and inclusive communities in the Bay Area and worldwide. She builds bridges of understanding between diverse religious and ethnic communities, and brings together the interfaith community to help alleviate poverty and end discrimination. Her catalytic leadership is felt far and wide, from the San Francisco Interfaith Council to the Global Council for the United Religions Initiative. Her legacy will be a more peaceful and compassionate world." - San Francisco Foundation

This playful short film was produced in collaboration with the Jewish Community Center of San Francisco as part of a multimedia installation entitled "We are not permanent but we are not temporary." The installation was designed to explore the impermanence of life, searching, wandering, and the welcoming of strangers.

“Factory-made wheelchairs are huge, heavy and ugly.” To counter this reality, wheelchair riders Ralph Hotchkiss and Omar Talavera began making beautiful, all-terrain wheelchairs. Their work draws on the resourcefulness of disabled people in the Third World, who have no choice but to build their own chairs. A well-crafted piece in its own right, Zimbabwe Wheel illustrates that wheelchairs can be truly empowering works of art: hand-crafted machines that are inexpensive, durable, and tailored to the needs of the rider.” Working on your chair is like working on your whole sense of self,” says a student, describing a feeling no factory-made chair can provide.

"People of the Graphic Novel" is a playful introduction to the history of an art form: from the first "funny pages" to seminal artists including Will Eisner and Art Spiegelman.

Fractured into a Turkish North and a Greek South, the island of Cyprus is divided by ethnicity, faith and land. through a tragic modern history, this island, historically shared by Greek-Cypriots and Turkish Cypriots, now llies desecrated and divided. This documentary explores diaspora identity and national identity of immigrants and exiles through their bittersweet memories of the lost homeland.