House of Wax 2005
A group of unwitting teens are stranded near a strange wax museum and soon must fight to survive and keep from becoming the next exhibit.
A group of unwitting teens are stranded near a strange wax museum and soon must fight to survive and keep from becoming the next exhibit.
Wealthy slacker college student Mark, his new girlfriend Sarah, and their friends are invited to a special showing at a mysterious wax museum which displays 18 of the most evil men of all time. After his ex-girlfriend and another friend disappear, Mark becomes suspicious.
A New York sculptor who opens a wax museum to showcase the likenesses of famous historical figures runs into trouble with his business partner, who demands that the exhibits become more extreme in order to increase profits.
A Scotland Yard investigator looks into four mysterious cases involving an unoccupied house.
A poet is hired by the owner of a wax museum in a circus to write tales about Harun al Raschid, Ivan the Terrible and Jack the Ripper. While writing, the poet and the daughter of the owner, Eva, fantasize the fantastic stories and fall in love for each other.
The disappearance of people and corpses leads a reporter to a wax museum and a sinister sculptor.
The disfigured curator of a wax museum murders his enemies and then uses their bodies as exhibits in his museum.
The survivors of the first Waxwork must use a portal through time to defeat the evil that has followed them and turned their lives upside down.
Hans von Arnam travels to a Flemish village to study a strange carousel located in an old windmill that displays famous murderesses and other notorious women from history. Professor Gregorius Wahl, owner of the windmill, warns Hans to stay away from his mysterious daughter Elfi, in order to keep Hans from discovering the horrible secret shared by the Professor and Elfi's Doctor.
Paris, 1900: a couple are horribly murdered by a masked man with a metal claw who rips their hearts out. The sole survivor and witness to the massacre is a young girl. Twelve years later in Rome a new wax museum is opened, whose main attractions are lifelike recreations of gruesome murder scenes. A young man bets that he will spend the night in the museum but is found dead the morning after. Soon, people start disappearing from the streets of Rome and the wax museum halls begin filling with new figures...
Martine Bressac is released from a psychiatric clinic after a year's treatment and is driven home by her chauffeur, Mathias. She is welcomed by the demented hunchbacked gardener Malou and the mute servant girl Adèle, and impatiently demands the key to her mysterious private chamber. There, set out like exhibits in a waxwork, are the bodies of beautiful girls frozen in postures of terror on the point of death. With Mathias' help, Martine has just added another girl, a prostitute, to her collection when her husband and accomplice, Charles, arrives home with slides of a further prospective victim: Cécile the virginal daughter of a diplomat...
An alcoholic grandfather is seriously ill. His doctor suggests that experiencing a bad scare could cure him. His grandson volunteers to help him.
Two reporters search for a missing body in a wax museum.
Experimenting in hypnotic regression to past lives, Dr. Edmund Redding of the Cowan Institute in Pasadena has discovered that Ann Taylor is a reincarnated Aztec woman. Via her recovered memories, she is able to lead Redding and his associates to a hidden chamber in the Great Pyramid of Yucatan, where they hope to find the lost treasure of the Aztecs. Instead, they find two mummified bodies - one of a modern man, quite dead, and the other of an ancient Aztec, quite alive. They are able to return safely to Pasadena with both finds, but a rival professor, Janney, kills Redding and steals the body of the modern man-mummy. This he subjects to a resurrection experiment, which works - only the mummy proves to be a werewolf. Two supernatural menaces roam the city that night. This film is composed of footage from two unrelated Mexican horror movies, LA CASA DEL TERROR and LA MOMIA AZTECA, plus new footage shot in the U.S. by Jerry Warren.
A child is traumatized when his father, a stuntman, dies in an attempt to go over Niagara Falls. Later, his mother meets and marries a truck driver, and things seem to be going OK. Then the new husband's creepy brother shows up, and the boy begins to get a sense that neither of the brothers is quite what they claim to be.
A one-handed madman (he lost the hand while escaping a hanging) uses various detachable devices as murder weapons to gain revenge on those he believes have wronged him.
Terrifying wax figures of renowned personalities, such as Attila the Hun and Jack the Ripper, surround the sale of a London museum.
In this erotic fantasy, when a naive young woman inherits a wax museum, she's shocked to discover that her family legacy is no ordinary tourist trap. Statues from all periods of history come alive -- and come together -- when supernatural sexual amulets are placed around their necks. The action heats up when the world's most memorable mythical figures engage in a love-fest that's truly one for the ages.
When a man dies of a heart attack, a stage and radio mentalist believes he has willed him to die because he was angry with the man. Riddled with guilt, the mentalist cancels further shows, breaks off his engagement to his female partner, who can read minds while in a hypnotic trance, and takes refuge in the eerie wax-museum-cum-home of another woman friend.
Andy Clark discovers he was cheated out of a half interest in partner Mike's business, now a thriving dance hall in 1892 Chicago. Unable to win it back, Andy schemes to make Mike's position untenable. He also hopes to turn Ruby Summers, Mike's motor-mouthed burlesque queen, into a classier entertainer, and incidentally to make her his own. But at the last minute, Andy's revenge comes unravelled.
Monster Squad is a television series that aired Saturday mornings on NBC from 1976-1977 that is unrelated to the later movie of the same name. The series stars Fred Grandy as Walt, a criminology student working as a night watchman at "Fred's Wax Museum". To pass the time, Walt built a prototype "Crime Computer" hidden in a large stone sarcophagus near an exhibit of legendary monsters. When Walt plugged in his computer, "oscillating vibrations" brought to life the wax statues of Dracula, the Wolfman who here was named "Bruce W. Wolf", and Frankenstein's Monster who was referred to as "Frank N. Stein" in the credits. The monsters, wanting to make up for the misdeeds of their pasts, became superhero crimefighters who used their unique abilities to challenge and defeat various supervillains. In most episodes, Walt would send the monsters out to investigate crimes and fight the villains while monitoring the activities from the wax museum via the Crime Computer, presumably because his job required him to be at the wax museum at all times. However, Walt would sometimes join the climactic battle with his comrades in some episodes and come to the rescue when needed.