Keyword Club Scene

A madly-in-love young couple's relationship begins to suffer when they struggle to conceive a child.

It's 1997. Frank Verstraeten, a computer genius with a nose for business, a fascination for nightlife and an unhealthy urge to prove himself, only wants one thing: his own disco that not only outperforms the competition but simply humiliates it. The futuristic mega discotheque Zillion is a fact and Frank turns from computer dealer to the pivotal figure of the Antwerp nightlife. He parades with the most beautiful women in Belgium and forges an alliance with Dennis Black Magic, the porn king who provides the spicy extras. Unfortunately, beautiful songs don't last long either.

Straight-arrow Barry has moved 3000 miles away from lackluster Ohio to attend college in sunny SoCal, and his friend Douglas has come along for the ride. Barry has his education on his mind; Douglas, the consummate mover-and-shaker, plans to make Barry a "Bar Star." Everyone knows the "Bar Star," the nightclub denizen that: like James Bond, he knows that every woman wants him, and every random guy wants to be just like him.

A small-time drug smuggler from Scotland, is trying to figure out his way through life until he meets a beautiful girl from Canada, who seeks a change after a bad relationship she just got out of.

Long before Kim Gordon was a cooler-than-thou multimedia artist in Body/Head, she was a cooler-than-thou multimedia artist in Sonic Youth. In the ’80s, Gordon and her bandmates were fixtures of New York’s downtown art and music scene; one regular haunt of theirs was legendary nightclub Danceteria, which served as the setting for a short film Gordon made sometime around 1985. Now, as Dangerous Minds points out, said video has surfaced online thanks to filmmaker/designer Chris Habib (a.k.a. Visitor Design). “Excellent video I found in my Sonic Youth archive,” Habib writes on the clip’s Vimeo page. “I digitized it for Kim during her [early 2000s] CLUB IN THE SHADOWS exhibition at Kenny Schachter’s old space in the West Village.”

Jakub Strach aka NobodyListen is a successful Czech DJ and music producer. A portrait of his life and work can be seen as a manifesto of the millennial club-going generation. After hundreds of shows and preparations for the upcoming, renowned Addict party, the DJ must deal with the consequences of inflicting a wound scarring his image. Footage from the club backstage mingles with scenes of everyday life in which NobodyListen ponders the dark sides of the club scene, like drugs and misogyny. During the shooting, the Covid pandemic strikes, revealing the insecurities of work in culture.

Mia, Keks and Ian are at a turning point in their lives, searching for happiness but not sure of what will happen if they actually find it. Over a long night in Berlin, their storylines weave into one another.

Facing eviction the oldest black-owned gay bar in Brooklyn relies on a passionate community in its fight for survival.

By the end of the seventies, disco music, considered too mainstream, was dead. But DJs and dance floors still needed new records and faster rhythms. Built on synthesizer sounds, the hi-nrg (high energy) style swept the gay clubs before hitting the charts during the eighties.

Despite its Afro-American origins, the history of disco music, the soundtrack of the seventies, would be inconceivable without a handful of legendary European music producers who conjured up some of the biggest world-wide hits in the anonymity of their studios.

The story of Le Palace, the famous parisian night club in the late seventies. The documentary is a conversation between ex-clients, founders and workers of the place. Owned by Fabrice Emaer, this nightclub became in 1978 the center of the french social life.

Centered on Recife's LGBTQ + electronic scene and the dynamics of its party production, FRERVO is a documentary that follows the experience of the people who organize these events in parallel with the performance experiences developed there. The relations between the existence of these bodies and what they cause in the urban space demarcate the political territory they occupy.

A night between friends at a pub turns into a brutal fight for survival with the arrival of a demonic creature.

One year on from the UK's first lockdown, clubs remain closed. This audiovisual film by Tom Andrew and Sam Davis aims to capture this profound sense of loss and longing, setting shots of empty dance floors across England to original music by Daniel Avery.

Lots of young tourists dive into the famous club and party life of the German capital. They’re looking for wonder, celebration, dancing and especially this particular Berlin spirit. OH YEAH. BERLIN. portrays artists inside of the Berlin alternative and club scene. Based on distinct motives and senses of individual freedom and creativity, they push and develop their projects. Money doesn’t matter, because there’s none. These folks characterize and reflect the peculiar but attracting lifestyle. An honest Berlin film, personal and real, partly filmed in places where no camera was allowed, yet. All artists share one thing: The love for art and their capital city Berlin with all it ́s freedom.