Keyword Georgian

The director dedicated this lyrical, epic film-confession to the memory of his father who was a doctor. The film’s protagonist, an ambulance doctor, conducts dangerous experiments in search of a vitally important vaccine. His wife believes in his work, though his daughter would not understand him. His son, who is absolutely unlike his father in character, is trying to protect him. But self-denial in the name of science proves too high a price. Just when he is on the verge of discovery, the doctor loses everything he has gathered as a result of his twenty-year-long work. This loss brings him even closer to his son. The shooting of the film continued for seven years (1985-1992), making it a metaphorical culmination of the Soviet cinematography and the Soviet way of life as a whole.

A quirky relationship unfolds between an immigrant and an all-American folk music fan.

When Imeda’s father is killed in a blood revenge accident, the family moves him to the city where he is sheltered at his father’s friend. After fifteen year he gets back to Khevsureti. A talented painter, he spends most of his time doing sketches of nature and people. There he meets a local beauty, Mzekala and fells in love with her but finds out that Torghva is also in love with her. Enraged by Imeda’s impudence Torghva calls him for a sword fight and is killed by Imeda. To avoid another round of blood revenge, the villagers let Imeda and Mzekala out of the village but someone who wants Imeda’s blood finds it out and follows them.

A group of geologists discover oil under the fields where Sosana, the aged and anachronistic father, raises his herd with his unhappy wife, her friend and his growing boy with whom he displays a wonderful rapport. The land is invaded by big machinery that feels remarkably alien to the serene and natural aesthetic of the valley. The family all enjoys the pleasures and storytelling capacity a slide projector grants them, but it too feels distinctly out of place in a town with no plumbing.

A poetized chronicle of the events taking place in one of the Georgian villages in the late 19th century, when, to save a forest, the innumerous intelligentsia could rally the people and oppose the industrialists…

The film continues the story of " Loma, The Forgotten Friend" and tells about the fate of the dog after he lost his owner.

This musical is based on old Georgian vaudevilles and plays. The early 20th century. Old Tiflis is in confusion and turmoil. A mysterious fairy is helping the poor Pavle’s family: real wood is burning in his old, neglected fireplace, wherein a pot with meat would suddenly appear. The good fairy is impersonated by laundress Vardo who helps not only the poor Pavle, but other families in this quarter as well. Vardo is known to many people in the town, but no one ever suspected that she was capable of performing miracles. The film’s colorful folk melodies, merry songs and fiery dances leave no viewer indifferent. Starring in the leading role is the great Georgian actress Sofiko Chiaureli.

Christine, a village girl, raped by Jason Uqmadze, a local aristocrat, decides to take her own life but the villagers spot her body in the river and manage to save her. After the suicide fiasco, Christine befriends Sona, her alleged well-wisher in hope to start her life anew. Instead of helping her, as promised, Sona takes Christine to the brothel.

A group of vacationers arrive at the "White Hotel" boarding house. The director of the boarding house, bureaucrat Alexander, learns that among the vacationers there is a film director who is studying the life of the boarding house for his upcoming film. Alexander considers one of the vacationers to be the director for some reason and will set a cruel regime in the boarding house to please him.

Ireland’s great houses, towers and castles, including Yeats’ Tower House, Bunratty Castle, Butler Castle and Castletown House.

Anthim the Iberian - Antimoz Iverieli, a Georgian theologian, scholar, calligrapher, philosopher and one of the greatest ecclesiastic figures of Wallachia, led the printing press of the prince of Wallachia, and was Metropolitan of Bucharest in 1708-1715.

To revenge brave jay Zakara, evil crown Kvanchala teams with a fox and kidnaps Zakara's bride Ketevan from the wedding. Kvanchala's cruel plan fails as Zakara's friends help him to rescue Ketevan and the fiesta continues.

A tiny parcel shop in Berlin, which sends packages to faraway loved ones, offers the city’s Georgian community a slice of home.

The film is based on a real story. Climbers found the purse of a military postman killed during World War II, letters sent 30 years later.

The film describes the spiritual quest of a young hero whose prototype is georgian writer Guram Rcheulishvili.

A naive girl finds a notebook containing plans for possible murders. She sets out to find everyone mentioned in it and warn them of their prospective gruesome deaths.

Stalin’s statue in the garden of a nunnery provokes discussion – plenty of it – in a small Georgian village. Some of the locals used to know Stalin personally because he visited the village several times when he was young, and they continue to see him as a benign ruler from the good old days rather than the brutal dictator he was. Whenever an episode of purge shook the Soviet Union’s republics, they hid the statue in the woods. The church also plays an important role in people’s lives. All in all, the film reveals a fundamental conflict in Georgian society.

In the 1750s London’s perilous streets were run by armed gangs, corrupt night watchmen and thief takers. Then two Westminster magistrates, novelist Henry Fielding and his brother, John, obtained a grant from Parliament allowing them to bring some law and order to the crime-ridden boroughs of Central London.

A Georgian Video-cast show UNFILTERED - A Show Without a Filter - hosted by George Iashvili. Beloved and interesting personalities talk about everything – unfiltered.

In this three part series, historian Amanda Vickery explores how the great British obsession with our homes began 300 years ago. Using the intimate diaries and letters of Georgian men and women, previously lost to history, she explores how the desire for a home revolutionised relationships between men and women.