13th 2016
An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.
An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.
Nervous high school senior Tom Lawrence visits Port Chester University, where he gets a taste of politically correct college life when he's guided by fraternity wild man Droz and his housemates at The Pit. But Droz and his pals have rivals in nasty preppy Rand McPherson and the school's steely president. With their house threatened with expulsion, Droz and company decide to throw a raging party where the various factions will collide.
Four college students attend an Ivy League college where a riot breaks out over an "African-American" themed party thrown by white students. With tongue planted firmly in cheek, the film explores racial identity in 'post racial' America while weaving a story about forging one's unique path in the world.
An upright ex-army man, Jai fights a solitary war against corruption and injustice. With a simple mantra to pay forward, he starts off by helping one person and forms an ever growing circle of people helping each other.
In an era of political correctness, identity evolution, protests, cultural scandals, activism, media storms, and other disputes, Jean-Michel, a 70-year-old single man, has lost all his bearings in this society. He lives in a retirement home located in a heritage building, managed with care and precision by Suzanne. Their peace is shaken by the arrival of young activists who demand the destruction of a historic fresco. Overwhelmed by an era dominated by political correctness, Jean-Michel will regain faith in humanity with the birth of an unexpected love.
Mark Normand has been told the same advice his whole life: DON'T BE YOURSELF, whatever you're thinking about saying, don't. So in his first one hour special, Mark does just that.
A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.
In the age of social media, nearly every day brings a new eruption of outrage. While people have always found something to be offended by, their ability to organize a groundswell of opposition to – and public censure of – their offender has never been more powerful. Today we're all one clumsy joke away from public ruin. Can We Take A Joke? offers a thought-provoking and wry exploration of outrage culture through the lens of stand-up comedy, with notables like Gilbert Gottfried, Penn Jillette, Lisa Lampanelli, and Adam Carolla detailing its stifling impact on comedy and the exchange of ideas. What will the future will be like if we can't learn how to take a joke?
Fresh out of the academy, White Cop experiences his first taste of Aboriginal community life, as Black Cop puts him to the test.
This film documents political commentator, media personality and author Milo Yiannopoulous on his sold-out speaking tour of Australia, with pieced-together highlights from his tour stops in Adelaide, Perth, Melbourne, Sydney, and Gold Coast.
Humor shapes the way Spaniards interact on Twitter: all sorts of topics can be used to make a joke and many anonymous commentators can become celebrities and compete with professional comedians. But sometimes certain jokes that defy political correctness have a high price for those who dare to make them, jokes that can freeze the smiles of thousands of people whose prejudices can put an end to some very successful artistic careers.
A successful producer and a woke writer and director are brought closer by a creeping attraction and a feeling that they are just pawns in the studio's agenda for a Saudi Arabian buyout.