Faces Places 2017
Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.
Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.
Hsiao-Kang, a Taiwanese film director, travels to the Louvre in Paris, France, to shoot a film that explores the Salomé myth.
Loose impressionistic brushstrokes sketch a series of portraits of two faces, one male and one female, while the verse on the soundtrack tells the tale of both one and a thousand relationships.
A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your Face Is Like a Song,” to simple piano accompaniment. Preserved by the Academy Film Archive in 2015.
You'll never want to face swap again.
Camille, an assistant at an art gallery, hosts Masato Kimura, a Japanese video game designer who has come to France to promote his latest creation. Indifferent to his world, Camille finds the man inscrutable until Masato asks to use her face in his next game.
A short film by István Orosz that explores spiritual, meta-physical, psychological and philosophical themes on a cosmic scale.
Camille falls on the nose. A stupid fall, apparently benign, but Camille feels her nose moving, growing, inside. The fear of looking like Fabio and his big adolescent body, his grandmother deformed by the disease, the pigs of the old man, seized her. Fear of losing shape.
Alexx must 'face' the reality of her overnight transformation when she joins her faceless friends in their nightly manifesting faces ritual.
Paraphrase between the face of man and the face of the earth. It has a fundamental question: Who owns whom? The earth, man or man, earth?
Anna and Klara are a couple and they love each other, but Anna still hasn't fully accepted herself, she still doesn't accept herself as she is.
In Leo's world, people have a single expression face. Leo wears the mask of impassiveness. Invisible to the beautiful Suzie, he will have to employ an artifice to be noticed by her.