Keyword Glitch

Wreck-It Ralph is the 9-foot-tall, 643-pound villain of an arcade video game named Fix-It Felix Jr., in which the game's titular hero fixes buildings that Ralph destroys. Wanting to prove he can be a good guy and not just a villain, Ralph escapes his game and lands in Hero's Duty, a first-person shooter where he helps the game's hero battle against alien invaders. He later enters Sugar Rush, a kart racing game set on tracks made of candies, cookies and other sweets. There, Ralph meets Vanellope von Schweetz who has learned that her game is faced with a dire threat that could affect the entire arcade, and one that Ralph may have inadvertently started.

Now, we find the rowdy extraterrestrial getting used to life with his new ʻohana. However, a malfunction in the ultimate creation of Dr. Jumba soon emerges, which reinstates his destructive programming and threatens to both ruin his friendship with Lilo and to short him out for good!

The Planet Express crew return from cancellation, only to be robbed blind by hideous "sprunging" scam artists. Things go from bad to worse when the scammers hack Bender, start traveling through time, and take Earth over entirely! Will the crew be able to save the day, or will Bender's larcenous tendencies and their general incompetence doom them all?

Young Rapper Ricky gives a teddy bear to a girl who doesn't like it and throws it away. But then she wants it and it's up to her friends to find that dumb bear. Yo, Ricky also busts rhymes.

Detached life of two young strangers is interrupted when they are transported to an unknown dimension.

In 2006, a 20 year old animal and nature lover ventures into the woods with a camera and a sense of serenity, only to discover that he would emerge with his reality shaken, and that only his footage would be found.

Some fun in the sun. Part 3 of The Glue Trilogy.

Inspired by a Bill Viola essay which relates three different kinds of 'video black' to closing one's eyes, sleeping, and dying, this work thinks those states of darkness through rapidly failing and increasingly unsupported electronic equipment. Briefly remembered fantasy images, soft crackles of chromatic snow, and explosions of violent feedback form a death dream of analog video.

In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.

A woman is faced with existential crisis after learning that the universe is an untitled simulation.

Amidst the realm of her parents' upscale nightclub, a young woman embarks on a surreal odyssey to confront her identity, only to find herself inescapably mirroring her father.

Ulysses Jenkins composed "Dream City" from documentation of a twenty-four-hour performance he organized in collaboration with David Hammons, Maren Hassinger, and Senga Nengudi. A discordant, absurdist, and poetic montage, the video weaves together jazz and punk shows, recitations by Jenkins, and shots of the Los Angeles skyline and oil wells to comment on power and nation in the early years of Ronald Reagan's presidency.

A pair of scavengers discover something strange after wandering onto the property of a mysterious technician.

Someone wanders through a house while fleeing from a mysterious presence. Their body dissolves on-screen, and their mind is invaded by a strident gray noise.

This is what happens when you spend all your time in front of a computer. Beware, childrens!!! – PL

A man's search in a cluttered garage claims an unlikely victim.

If a machine would possess a soul it might be a beach. Every single sand corn symbolizes a data-set of a memory captured in the world wide web saved deep down in the ocean. From there the bytes condense and finally reach the cloud. But how would it feel for a machine to see the glitch waves and feeling the shore stones on its case? What would be the colours of the coastline? Glitching Offshore tries to portrait the soul of an AI and the universe behind it. Glitching offshore, alike drifting away as in a psychogeographical dérive (furthermore, away from the "rive": bank) where human intentional yet chaotic action is substituted by pixels' stirrings of the soul.

Bob, a guardian from the Super Computer, helped by his friends Dot, Enzo, and dog Frisket, defend the digital city of Mainframe from evil computer viruses that seek to dominate the city and infect the entire net.

Game-world monsters are wreaking real-world havoc. Here comes tech support!